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Since 2008, Visa has been thinking out loud on the internet, sharing his ideas with the world. The result: a quarter-million tweets, more than a thousand essays and blog posts, and hundreds of videos. The Visakanv Megaweb collects all of it, plus the books and media Visa keeps recommending, into one archive, organized so you can find your way through. Pick a place to start.

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An archive of Twitter postsby Visakan Veerasamy

Visakan Veerasamy (@visakanv) has been posting on X (formerly Twitter) since 2008, racking up more than a quarter-million posts across dozens of topics. The Visakanv Megaweb organizes them into a single archive you can browse without friction. Explore Visa’s most popular posts, favorite themes, and online network via curated lists. Looking for something specific, or want to browse the archive your way? It’s all here: filters for date, length, and more, plus search across text and handles.

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iterating Introspect

Blog · Writing · 2021 · 3.6k words

The long struggle to write a book about introspection, exploring what people want, wrestling with structure, and realizing you can't solve everyone's problems in one volume. The meta-process of figuring out what the book should really be, told through journal entries and reflection.

iterating Introspect

I came up with the idea for INTROSPECT sometime in 2018 or so, even before I thought of writing FRIENDLY AMBITIOUS NERD (which I choose as my debut ebook). INTROSPECT has been through multiple drafts, iterations and rewrites. In retrospect (hah), I had to write some of the earlier versions of the book just to figure out what the book should really be. Here’s where I’m at now, and I do feel like this is close to the final conception:

It started with boredom

I first wrote the book because I wanted to investigate and resolve my own boredom. Boredom seems like a ridiculous experience – there is so much to see and do in the world! Why then do I sometimes feel bored? Through lots of reflection and reading, I assembled a very specific 4-part explanation for the phenomenon of boredom. And to me, the very fact that there are at least 4 variables is itself a pretty compelling explanation for why boredom happens: because humans are generally very bad at dealing with multivariate problems.

So here it is: Boredom is what happens when…

  1. a tired mind, meets
  2. a cluttered space, with
  3. unrealistic expectations, and
  4. poorly-defined utility functions.

The first 3 variables are pretty well understood, and much has been written about them. If you’re tired, you need to rest. If you’re in a cluttered space, you need to declutter. If you have unrealistic expectations, you need to revise them. The 4th variable is a strange and complicated one. You can sort of reduce it to “poorly defined goals”, which is more intuitive, but the word “goal” has a lot of baggage and connotations that I’m not a fan of. You could also maybe describe it as “unclear purpose”. I ended up going with “lack of clarity about what you want”. And as I went on, I even found myself thinking – if you don’t know what you want, what’s the point of anything else? Why rest if you don’t know what you’re going to do with a well-rested mind? Why declutter or manage your expectations? What is it all for?

What do you want?

So okay, to solve boredom, we first need to figure out what we want. How do we figure out what we want? This was what the first version of this book was going to be about. And I had so many questions to navigate by. I must have assembled a hundred questions about desire. What does it mean to want something? What if you want multiple things at once? What if you don’t want anything at all? What if you want bad things? How do you know if something is what you really want, or merely what you think you want, or want to want? I started trying to answer all of these questions, but something felt flat and “off” about the book. I liked being able to have answers to all of those questions, but it didn’t seem to be what the book was supposed to be about. I wasn’t having fun. I felt like I was filling in background details for a cinematic universe that didn’t have any truly compelling reason to even exist in the first place.

So then I started to agonize– alright, what is the job of a book really? A book has to take a reader on a journey from point A to point B. Technically, a book about figuring out what you want should take you from not knowing how to do that, to knowing. And I realized that a bunch of details about “cliches worth examining” (which was a whole section of the book) wasn’t actually directly relevant to that journey. It was all background filler.

Experimenting with Instructions

I tried to get back to the heart of the book. There were two things that leapt at me. One was a blogpost I had written about my career in marketing, titled “instructions I wish I was given as a newbie startup marketer”. I remember thinking, hey, I wrote that blogpost years ago and it’s still useful to this day. It’s something I periodically share with people who are in that situation. I would like this book to be that. I would like it to be something I can share with people who are in the early stages of my journey. So I tried to write the second version of the book as a set of instructions for my younger self. This deceptively felt correct initially, probably because it was structurally familiar, but as I expanded the book it started to feel wrong, too. I realized it wasn’t the heart of the book either.

“Instructions for newbie marketers” is relatively easy and intuitive, because there are all these assumptions baked in about what you want there – you want to be good at your job, you want to have a successful career by all the conventional metrics. You want to impress your boss and colleagues, you want to do great work. “Instructions for introspection” is a significantly more convoluted proposition, because a lot of what you want to do is question your assumptions. I could probably write a blogpost about it – I mean, I do have all the material – but it doesn’t seem quite right to make the book about that. A book of instructions… who wants that? I wouldn’t have wanted that. (So what do I want? Do you see how hilariously meta and recursive this entire endeavor gets?) 

Returning to sketches

The other thing that came to mind was that I ought to revisit the Twitter account (@introspectVV) that I had started for the book. In the early stages, I was thinking out loud and sketching out threads for what the book might be like. The first thread was about the 4 variables of boredom I mentioned earlier in this essay. No surprises there. The second thread, however, was about storytelling. I’m looking at it now – the first tweet talks about how it’s easy to empathize with characters and to root for them when it’s clear what they want. Batman wants justice in Gotham, because it murdered his parents. Daenerys Targaryen, at least in the early seasons, just wants to go home.

It begins to dawns on me that INTROSPECT is a book about storytelling. Nobody gives a fuck about your instructions if you can’t give them a good story. This is true within a single individual, too. You can’t coerce yourself into doing things if you don’t want to do them. Coercion is unsustainable, it typically leads to resentfulness, frustration and despair. (I’m… writing a whole separate book about this.) You have to inspire yourself to action. To do that you have to have a sense of what inspires you.

“If you want to build a ship, don’t drum up the men to gather wood, divide the work and give orders. Instead, teach them to yearn for the vast and endless sea.”

– Antoine de Saint—Exupery (allegedly)

And so, looking at the stories I love, I found myself thinking that the book should really follow a classic Hero’s Journey structure. Never mind that it’s conceptually cliche – it’s as old as time because it works. And all my past structures have failed me anyway, so why not go with something tried-and-tested? This is just my second ebook, I can be creative and experimental with structure later in my writing career. Anyway, so I started piecing together my notes and fragments into the classic monomyth structure. Call to Adventure, Supernatural Aid, Trials, Abyss (Death & Rebirth) and so on.

The Call to Adventure

I found myself thinking, what is this journey really about? I had some of my favorite superhero movies in mind – thinking of Iron Man, Moana, Black Panther, Thor and so on… I think Moana in particular struck me as a vivid example. Moana starts out on her island where everyone seems happy to be self-contained, but she feels a calling to go beyond – and she discovers that her ancestors were in fact voyagers who sailed the open sea. And here I get to thinking about Joseph Campbell’s quote about intentionally achieved psychosis – how the mystic and the schizophrenic both plunge into the same inward sea, but the former does so skilfully, whereas the latter is drowning. Okay, great. I have this sense of a voyage, a sense of challenge… the reader, the introspector is Moana, and they have to leave the island. How do you leave the island?

What “is” the island? A bunch of it is the superego or the inner critic, the socially inherited constraints on one’s thinking, imagination and so on. I personally experienced my Supernatural Aid in the form of books and media, authors and artists, and my ex-boss – and my goal with the book is to function as the guide for others in turn. A bunch of the trials become clear: what do you do when you’re scared? What do you do when you’re overwhelmed and confused? What are the problems you’ll have to confront? What if you don’t feel like you can trust yourself? Now these are far more lively questions than “let’s give you a bunch of instructions” or “let’s examine a bunch of old cliches”.

And then the big question: what is the climactic moment? What is the death-and-rebirth moment, on the journey of introspection? And it hit me: it’s the image of the self! It’s about narcissism and self-loathing. Which is, amazingly, something that I have a LOT to say about, and have been struggling to find the right context or frame to talk about it in.

Which brings me to a summary I tweeted earlier in a thread about my frustrations while writing this book:  I’ve been finding out that to address your boredom you have to address your desires, and to address your desires you have to investigate your self-concept, and to investigate your self-concept is to annihilate yourself. at the end of self-annihilation is renewal and rebirth, and when you get there you forget what you were bored about in the first place. Sometimes you pull a little thread because you’re bored and you accidentally unravel the universe.

Anyway, so that’s where my book is at right now! I’m pretty confident now that I’ll finish it by the end of February 2021. You can pre-order it at gum.co/introspect if you like.

(July 2021 update: hahahahaha)

0.3 More caveats

I’ve spent a long time agonizing over this book. Why? Why am I writing this book? I first started feeling compelled to write it around 2018. I had repeatedly encountered several ideas and motifs in my “idea vicinity”, in the conversations that my friends were having around me. (And even this is something interesting to examine, because there’s always a lot going on in my “idea vicinity”, and this was something that kept “sticking out” to me – meaning there was likely something in me that was picking up on patterns.) I was curious to better understand boredom, and after working through what I believed were the variables influencing boredom (tiredness, clutter, perfectionism and a lack of clarity about oneself), I decided that the fourth variable was the most important, and least understood, least written about – at least, in a way that I thought was accessible and compelling. So I set out to write about that. Largely to understand it myself. And I did write a bunch of twitter threads and blogposts about the topic. Still, I felt compelled to assemble it all into a book.

What is a book? What is the purpose of a book, why should a book exist? I believe that a book should really only be brought into existence when tweets and blogposts don’t quite suffice. A book to me is a comprehensive reading experience, a meaningful journey from A to Z. A book is a “big ask”, even if you don’t charge any money for it. You’re asking for people to pay attention to an ordered set of words that go on for dozens and dozens of pages. And if you’re going to make a big ask, there better be some good reason for it, something useful and valuable in it. Otherwise you’re just wasting people’s time and attention, and one of the worst sins in my book (ha ha) is wasting people’s time and attention.

I’ve found that most of the time I spent agonizing on the book was time I spent not even looking at the drafts. (And I had several drafts – I have re-written the entire book from scratch at least 6 times.) I was asking myself questions like, what if it doesn’t work? What if it ends up being counter-productive? The subject matter of the book is one that can be quite heavy and personal. If it’s not the right fit for someone, not only might it waste their time, it might take them on a wasteful wild goose chase that discourages them from attempting anything similar. That’s quite a heavy burden to bear. There’s a good chance that I might be overestimating the damage I might do to someone with a bad book, and yet it felt necessary to me to be as responsible as possible. So I continued to defer writing and publishing the book until I felt I had more clarity about what I’m really doing here, why I’m doing it, who I’m doing it for, what I’m helping people to accomplish.

What follows are a collection of old notes from when I was writing the book.

2020sept3: (This seems to be when I realized I ought to journal in between the Acts). It’s 340am and I had to get out of bed because I feel this compulsion to be working on my ebook introspect, which I’ve been feeling quite stuck with. I’d be typing this in my computer, but my cat Sierra is asleep on my chair and I don’t really want to wake him. Also I think there’s a decent chance that I’ll want to go back to bed after doing a little bit of writing, so I figure I might as well do this writing on my iphone.

Specifically I was thinking that it would be good to have some actual examples of what my journaling looks like, interspersed within the content of the ebook itself. This is me typing on my phone in “journalling mode” – there is a slight distinction in the sense that I know that other people are going to see this, which means I type things like “my cat Sierra” instead of just “Sierra”

… well I just got distracted by twitter for an hour where I tweeted about marriage and money and divorce and stuff. Now I guess I should probably go back to bed.

2021apr04: fraud: i struggled with my book for a long while and was feeling like a fraud in the middle because like if I solved this for myself how come I can’t seem to write about it properly? could it be that I was actually deluding myself about the progress I’d made?

but I’m rediscovering that there’s no way to write about anything properly without talking to other people — because no matter how well we know our own experience, we cannot relate it to other people effectively without understanding other people as well, and the only way to do that is by talking to people

It’s like the business problem of product and distribution – just because you’ve solved for the product doesn’t mean you’ve solved for the distribution. That’s at least another 50% of the problem

2021aug1: Reread War of Art. You must read books when you are writing a book.

2021nov18 anguish: I feel like shit. It’s because I haven’t published the book yet. What exactly am I feeling? I feel like throwing up. I feel like I haven’t slept in years. I am tense in my neck and shoulders. Maybe I should go for a run but I don’t really feel like that either. I went for a short walk to get dinner and I felt like I’m somewhere other than my body. I wonder if it’s cortisol, am I being cortisol bombed? I seem to shit more when I’m stressed

2021dec22 dishonesty: I used to feel soooo bad about being dishonest as a child, I couldn’t explain why I did it or where it come from. Only at like 29 or so did I realize that it came from my parents. And they never admitted it!! I don’t even know if they realize.

2021dec24 heroes journey:

Status quo
Onset of plot
Call to adventure
Hey kid u like adventure?
Problem u can’t solve
You get punished for refusing – getting uncle ben’d
Leave the ordinary world
Threshold guardians
Into the unknown
Loot, friends
Find partial solution
Belly of the whale
Psychological trial – katabasis, decent, underworld – face & overcome inner demons – internal climax
Character development – new model of reality
Road of trials, temptation to leave your quest.
Pre showdown breather. Reminisce. Show off characters’ humanity
Climax: showdown, apotheosis: elevation to godhood, boon – final reward
Back to ordinary world
How has the world been improved?
Improve the culture around you


31dec2021 Optimism why? Baby steps people who can’t walk… Act 3… Unravel universe repeated in overview…


I see the light, I am the light. I am the sportsmen, the ball, the goal, the crowd, the cheer, everything is clear https://twitter.com/visakanv/status/1439897185743622148


2022jan6 like if I am already visakanv without much sleep, wtf is well-rested visakanv gonna be like. It will be alienating and isolating to turn up the voltage that high

2022jan11

Act 3
Boredom
Trust bankruptcy
Fears
Social bloatware
Coping mechanisms
Exhaustion funnels
kneelbeforezod

How to end act4?
Alone, be with all the world
Solitude and leadership
4000 weeks: the more individual sovereignty you have, the lonelier you get. The more you try to manage time feeling total control, the more empty and frustrating life gets

2022jan18 why introspect isn’t published yet?

Lets speed run through the possible reasons. First thing is I’m scared the book isn’t good, or good enough, some perfectionism. Fuck it. Publish a weirdly byzantine mediocre book. move on to the next thing. Come back to it and update.

2 is that people will be hurt/upset by the book or take wrong actions as a consequence of it. Solve: I’ve included a warning at the start and I can include a reminder at the end.

3, there’s something fundamental that’s not still quite right. This I think is the most critical important thing at this stage. Act 1 and 2 are great. 3 4 5… they have the seeds of greatness in them, but they’re not great. 3 and 4, I can kinda see it, 5, I don’t know wtf I’m talking about, not quite, and that to me is the unforgivable thing that makes it hard to publish.

2022jan30 why not published?

A labyrinth is a path through your most unpleasant, painful, ugly, horrifying memories

There are lots of things I want to include that I haven’t included – this is fine though I can add them later

I feel like there’s some sort of tension maybe that I haven’t resolved – but I think that’s fine too

There are several things I’m trying to do with introspect, which means that I’m not going to do any of them very well

One, I’m trying to tell a story about my own personal journey of “become who you are”. This is deeply personal and also universal

Two is I’m trying to help other people with their own journeys. The tricky thing here is that I have to be careful not to project my own neediness outwards. I don’t think I have succeeded…

31jan2022 Writing thoughts/salon

Showing people around a city
Writing documentation
Index pages, overviews
Research
Attention spans, snowflake writing method
Continuity
Writing the whole page in 2 hours after worrying about it for 2 months
Being too apologetic, too many intricacies, they’re just gonna skip over them anyway, just getting the concepts into their head
Birds eye view

Casually describe what matters, walk through some of it
Had to remove things I thought about

Essay vs book vs tweets
Relationships


1feb2022: A note – resisting/avoiding fear makes it worse. Worsens the anxiety. “Hiding from demons”. Lao Tzu: ‘whoever can see through all fear will always be safe’ (2026may2: avoidance consecrates)

1feb2022 #Introspect can’t solve all your problems

There’s just not enough space in a book to do that. You can’t solve all your problems just by reading a book. And I have been stressing myself out trying to write a book that solves everybody’s problems, lol. But that’s not possible, it’s not something that can be done within the scope of a single book.

Solving your problems takes time, it takes effort, and you’ll have to work on it – probably for years. You’ll likely have to seek out and do a bunch of additional reading. Talk to people. Try things. Make mistakes. This book is not a guide to solving all your specific problems. Rather it’s an attempt at articulating a model-of-models, a sort of overarching worldview, a framework, a scaffolding for you to consider. It’s not even a perfect articulation of the framework that it’s trying to convey.

took me an adorably long time to realize that you can’t solve everyone’s problems with a book no matter how good or long it is. like intellectually duh. But emotionally I felt like I had to do that. Why? Because I was afraid of disappointing people.

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Originally published at https://www.visakanv.com/blog/iterating-introspect/.

An archive of books and mediareferenced by Visakan Veerasamy

Visa is a prolific consumer of art and media. Over the years, he has referenced, reviewed, and recommended thousands of books, essays, articles, comics, and videos. The Visakanv Megaweb pulls his collection together in one place. Each item carries a link tracing it back to the mention.

About the Megaweb

The Visakanv Megaweb is a public archive of everything Visakan Veerasamy (@visakanv) has put on the internet: a quarter-million tweets, more than a thousand essays and blog posts, hundreds of videos, and the books and media he points to.

Visa has been thinking out loud online since 2008. The result is one of the largest bodies of personal writing on the web, but until now it has lived in scattered places: threads you unroll by hand, blogs on separate platforms, videos spread across years. The Megaweb pulls all of it into one place you can read and search.

What’s inside

The archive is in four parts. The Twitter Archive holds his posts, threads, replies, and quote-tweets. The Writing Archive collects his essays and blogs across three collections. The Video Archive gathers his vlogs, talks, and readings. The Library is everything he points to: the books, essays, articles, and videos he references in his own work.

How it’s organized

Each part is built to be browsed on its own terms. Read a theme from top to bottom, sort by what is most-loved or most-recent, narrow to replies or originals, or search the text directly. Every item keeps a link back to where it came from.

A note on the data

Counts, excerpts, and rankings are drawn from Visa’s public posts. Sourcing and update cadence are still being finalized.

Writer and internet builder, known online as @visakanv. Here are his books, where to support his work, and where to find him.

His books

FAN Friendly Ambitious NerdOn becoming a kinder, bolder, more curious version of yourself.Gumroad →Goodreads →
INT IntrospectAn inward hero’s journey to earn your own trust and self-respect; a remix of Nietzsche, Emerson, Watts, Campbell, and Jung.Gumroad →Goodreads →
An archive of Visakan Veerasamy’s online work.
Set in Fraunces, Geist, and Geist Mono.
Built by Mars Code Factory.
The Twitter ArchiveBest Tweets

Best Tweets

Many tweets from Visa are popular, but some are more popular than others. Browse the 1,000 most-liked top-level posts in Visa’s Twitter archive.

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Visa is known for megathreading, and has written more than 26,000 threads since 2008. Explore his threads, including the longest and most popular. To page through every one, browse the full list →

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Longest Threads

Visa's biggest megathreads: his longest unbroken sequences, up to 200+ posts. See the best-loved →

204
tweets in the longest thread
7.3
years, longest-running thread
84
tweets, avg. length

The Twitter ArchiveAll Threads

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Every thread Visa has written: more than 26,000 since 2008. Search the text, narrow by year or length, and sort however you like. See the 1,000 best-loved →

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26,422 threads

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251,277 tweets

Themes

Visa’s tweets have common threads and narrative arcs if you look closely. Explore the themes he’s focused on across his years on Twitter, and the tweets in each.

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36 themes
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Recurring Posts

Visa is known for quoting and resharing his own tweets, often to resurface an insight or reinforce an idea. See every time he’s quoted himself or brought an old post back into a conversation.

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4,874 recurring ideas

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The accounts and posts Visa amplifies. Not his words, but a record of who and what he has pointed his audience toward over the years. Self-retweets aside, here is everyone he has reshared.

Network

If Twitter is a public town square, Visa is the hyperactive, affable guy who talks to everyone: nearly half his posts (45%) are replies to other people. Below are the 100 accounts he replies to most.

Less a body of work than
a body of conversation

The shape of it

Every post and retweet, sorted not by what it’s about but by what it is.

How the mix shifted

His blend of replies, quotes, posts and retweets as a share of each year. Hover for any year.

Volume over time

Themes

What he posts about most. Toggle to see what actually lands.

His network

The accounts he engages with most. Toggle replies, quote-tweets, or retweets; tap a bar to open the account.

…and the same as a bubble field: the top accounts he replies to and quotes most, sized by how often. Hover or tap a bubble.

Hall of fame

All-time records across the archive.

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All of Observations & Humor

Every tweet in Observations & Humor. Search the text or a handle, narrow by date or to replies vs. originals, and sort however you like.

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16,834 tweets
reply312 likes2026-05-22
original2.1K likes2026-05-20
reply84 likes2026-05-19

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