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Welcome to theVisakanv Megaweb

Since 2008, Visa has been thinking out loud on the internet, sharing his ideas with the world. The result: a quarter-million tweets, more than a thousand essays and blog posts, and hundreds of videos. The Visakanv Megaweb collects all of it, plus the books and media Visa keeps recommending, into one archive, organized so you can find your way through. Pick a place to start.

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An archive of Twitter postsby Visakan Veerasamy

Visakan Veerasamy (@visakanv) has been posting on X (formerly Twitter) since 2008, racking up more than a quarter-million posts across dozens of topics. The Visakanv Megaweb organizes them into a single archive you can browse without friction. Explore Visa’s most popular posts, favorite themes, and online network via curated lists. Looking for something specific, or want to browse the archive your way? It’s all here: filters for date, length, and more, plus search across text and handles.

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the heat death of the universe means legacy is ultimately futile

Blog · Life & Meaning · 2016 · 1.2k words

Legacy can't save us from cosmic oblivion, the heat death of the universe makes that clear. That's actually freeing: we get to be kind, live in the present, and build sandcastles for the joy of it, not for permanence.

💀 the heat death of the universe means legacy is ultimately futile

(I wrote this in 2013 in a a conversation with a friend, and decided to tidy it up a little and publish it for future reference. I also referenced this idea on Quora and HN, and in word vomits 0124, 0227, 0351 and 0540.)

In my late teens, I believed that the best way to deal with existential woes was to focus on building one’s legacy. There’s a filmmaker called Jason Silva who talks about this, quoting Ernest Becker’s 1973 work The Denial Of Death.

He describes how there are three broad approaches to coping with the inevitability of death:

  1. Religious solution: Believing in an afterlife where you will live forever with your loved ones.
  2. Romantic solution: Deifying our lovers, making them our saviors, and believing that we are immortalized in their eyes.
  3. Creative solution: Achieving immortality through transcendent art, creation, legacy that lives on after you’re gone.

I can’t quite manage the first. Like Richard Feynman, I find the idea of an afterlife for humans to be symptomatic of an overly local, provincial worldview. The universe is too vast to be built just for us. The notion of an afterlife is likely to be the projection of some sort of wiring in the brain. We see optical illusions all the time, and we experience consciousness (which is likely to be an illusion or a simulation of some sort). I can’t buy that.

“Immortality through love” is a testable hypothesis, and many people have tested it. Sadly, there’s a ton of literature that reveals how this inevitably yields to disappointment. The lover-gods ultimately reveal their clay feet. It’s simply too much to ask: nobody can bear the burden of the weight of another’s existence.

“Immortality through creativity”, then, seemed to be the most plausible solution. Our bodies will decay, but we can live on in the hearts and minds of the rest of humanity. Provoke, inspire, plant trees for the future. That’s what great humans did, and they were as immortal as it gets.

I was quite satisfied with this model for a long time.

But then I read up about the heat death of the universe.

And I came to realize that no matter how long we live on in the minds of others, eventually all the stars will burn out and the universe itself will die, become cold nothing. What happened to Ozymandias will happen to all of us.

I know that it doesn’t technically make a difference to our brief human lives.
But I used to cling to the illusion that some immortality could be achieved through legacy, and it gave me some sort of odd comfort. The heat death pulled that comforting carpet out from under my feet. (The characters in Isaac Asimov’s The Last Question experience this.)

Ruminating on the heat death made me realize this:

Living with the sole intention of building a legacy can be problematic.

If you’re not careful, it can easily become a form of escapism, avoiding the present by focusing on the future. It makes sense if what lingers after you’re gone will amount to something, but it ultimately won’t. All we have is the present moment. We are more fleeting than I had realised and grown comfortable with.

So. The dance will eventually end, the curtain will ultimately close, andnothing will be preserved. It’s all tracings in the sand in the grand cosmic beach. And for a while that troubled me.

But now I realise that I have less excuse than ever not to give my all to the present moment. I used to envy those movies or stories where characters are put in some sort of arbitrary constraints- and they’re compelled to make the most of their brief last moments.

But now I realize — we are all in these arbitrary constraints. We are allterminally ill. And a lot of what we hold on to, we hold on to out of fear, myopia, familiarity, and so on.

I worried for a while that this would compel me to become a selfish hedonist- why bother with honor, dignity, Grace etc if it’ll all be for nothing?

But that didn’t happen. My fundamental conviction in kindness and fulfillment through serving others remains unchanged. The fleetingness of all existence somehow makes it even more important that we be kind, because in the final end, there will be no opportunity for reparations, for redress. It’ll all just be washed away. So it has to be good while it lasts.

So what’s changed? I realize that I can no longer use legacy as an excuse to avoid facing the present.My “life’s work” isn’t the monolith sculpture in waiting I had envisioned it to be. I imagined life was like a massive block of marble and you have a limited time to carve something out of it. And I hated myself for procrastinating.

But no, it’s not quite like that. It’s not nearly so permanent, it’s not nearly so daunting, not nearly so singular.

Life is a lot more like a day at the beach.

You can build a castle to bring joy to others, you can meet people, go swimming, have a picnic. The analogy isn’t perfect because of the problems of sustenance — we also need food and shelter, and so we have to work, pay the bills, etc.

But just because we’re all tracings in the sand doesn’t mean it can’t be pretty, fun, joyous. And we smile and laugh (and maybe cry a little) and the sun sets and we go home, to bed. And that’s that. We can mourn the transience or we can live brightly while it lasts, with joy.

At a practical level I think this has made me change the way I prioritise things. I make more time for things I want to do while also acknowledging there’s no grand, absolute significance. (It’s all tracings in the sand.) What I do live for is to bring joy to others, but I can breathe easier not having as many expectations. There is no pressure whatsoever, ultimately.

This whole world view is admittedly very privileged- it excludes serious pain and suffering. But when I acknowledge my worries are relatively insignificant, I can help others more whole-heartedly. And when I do encounter difficulty, I am more willing and able to listen, and to see things as they are.

People should be free from fear and pain and suffering as much as possible, and people who are relatively better off should help those who are worse off- and service is always fulfilling so all of that is pretty elegant.

Why help others when life is so short? Because joy multiplies and intensifies, simple as that. It’s in our self-interest to be good to one another.

We’re all just tracing in the sand. Let’s make the most of it while we’re here.

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Originally published at https://www.visakanv.com/blog/heat-death/.

An archive of books and mediareferenced by Visakan Veerasamy

Visa is a prolific consumer of art and media. Over the years, he has referenced, reviewed, and recommended thousands of books, essays, articles, comics, and videos. The Visakanv Megaweb pulls his collection together in one place. Each item carries a link tracing it back to the mention.

About the Megaweb

The Visakanv Megaweb is a public archive of everything Visakan Veerasamy (@visakanv) has put on the internet: a quarter-million tweets, more than a thousand essays and blog posts, hundreds of videos, and the books and media he points to.

Visa has been thinking out loud online since 2008. The result is one of the largest bodies of personal writing on the web, but until now it has lived in scattered places: threads you unroll by hand, blogs on separate platforms, videos spread across years. The Megaweb pulls all of it into one place you can read and search.

What’s inside

The archive is in four parts. The Twitter Archive holds his posts, threads, replies, and quote-tweets. The Writing Archive collects his essays and blogs across three collections. The Video Archive gathers his vlogs, talks, and readings. The Library is everything he points to: the books, essays, articles, and videos he references in his own work.

How it’s organized

Each part is built to be browsed on its own terms. Read a theme from top to bottom, sort by what is most-loved or most-recent, narrow to replies or originals, or search the text directly. Every item keeps a link back to where it came from.

A note on the data

Counts, excerpts, and rankings are drawn from Visa’s public posts. Sourcing and update cadence are still being finalized.

Writer and internet builder, known online as @visakanv. Here are his books, where to support his work, and where to find him.

His books

FAN Friendly Ambitious NerdOn becoming a kinder, bolder, more curious version of yourself.Gumroad →Goodreads →
INT IntrospectAn inward hero’s journey to earn your own trust and self-respect; a remix of Nietzsche, Emerson, Watts, Campbell, and Jung.Gumroad →Goodreads →
An archive of Visakan Veerasamy’s online work.
Set in Fraunces, Geist, and Geist Mono.
Built by Mars Code Factory.
The Twitter ArchiveBest Tweets

Best Tweets

Many tweets from Visa are popular, but some are more popular than others. Browse the 1,000 most-liked top-level posts in Visa’s Twitter archive.

The Twitter ArchiveBest Threads

Best Threads

Visa is known for megathreading, and has written more than 26,000 threads since 2008. Explore his threads, including the longest and most popular. To page through every one, browse the full list →

The Twitter ArchiveLongest Threads

Longest Threads

Visa's biggest megathreads: his longest unbroken sequences, up to 200+ posts. See the best-loved →

204
tweets in the longest thread
7.3
years, longest-running thread
84
tweets, avg. length

The Twitter ArchiveAll Threads

All Threads

Every thread Visa has written: more than 26,000 since 2008. Search the text, narrow by year or length, and sort however you like. See the 1,000 best-loved →

26,381
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26,422 threads

The Twitter ArchiveAll Tweets

All Tweets

Here is every reply, quote-tweet, thread, and standalone post from Visa’s Twitter archive, more than a quarter-million in all. Retweets aren’t included here. Browse all his retweets →

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251,277 tweets

Themes

Visa’s tweets have common threads and narrative arcs if you look closely. Explore the themes he’s focused on across his years on Twitter, and the tweets in each.

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36 themes
The Twitter ArchiveRecurring Posts

Recurring Posts

Visa is known for quoting and resharing his own tweets, often to resurface an insight or reinforce an idea. See every time he’s quoted himself or brought an old post back into a conversation.

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4,874 recurring ideas

Retweets

The accounts and posts Visa amplifies. Not his words, but a record of who and what he has pointed his audience toward over the years. Self-retweets aside, here is everyone he has reshared.

Network

If Twitter is a public town square, Visa is the hyperactive, affable guy who talks to everyone: nearly half his posts (45%) are replies to other people. Below are the 100 accounts he replies to most.

Less a body of work than
a body of conversation

The shape of it

Every post and retweet, sorted not by what it’s about but by what it is.

How the mix shifted

His blend of replies, quotes, posts and retweets as a share of each year. Hover for any year.

Volume over time

Themes

What he posts about most. Toggle to see what actually lands.

His network

The accounts he engages with most. Toggle replies, quote-tweets, or retweets; tap a bar to open the account.

…and the same as a bubble field: the top accounts he replies to and quotes most, sized by how often. Hover or tap a bubble.

Hall of fame

All-time records across the archive.

The record-setting tweets

All of Observations & Humor

Every tweet in Observations & Humor. Search the text or a handle, narrow by date or to replies vs. originals, and sort however you like.

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16,834 tweets
reply312 likes2026-05-22
original2.1K likes2026-05-20
reply84 likes2026-05-19

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