VVM The Visakanv Megaweb The Visakanv Megaweb

Welcome to theVisakanv Megaweb

Since 2008, Visa has been thinking out loud on the internet, sharing his ideas with the world. The result: a quarter-million tweets, more than a thousand essays and blog posts, and hundreds of videos. The Visakanv Megaweb collects all of it, plus the books and media Visa keeps recommending, into one archive, organized so you can find your way through. Pick a place to start.

262K
tweets
1,251
essays & blogs
459
videos

An archive of Twitter postsby Visakan Veerasamy

Visakan Veerasamy (@visakanv) has been posting on X (formerly Twitter) since 2008, racking up more than a quarter-million posts across dozens of topics. The Visakanv Megaweb organizes them into a single archive you can browse without friction. Explore Visa’s most popular posts, favorite themes, and online network via curated lists. Looking for something specific, or want to browse the archive your way? It’s all here: filters for date, length, and more, plus search across text and handles.

262K
tweets
26K+
threads
36
themes

One must imagine Sisyphus LOL-ing

Medium · Philosophy · 2016 · 1k words

An essay on absurdism and the human condition, framed by Camus's Myth of Sisyphus.

One must imagine Sisyphus LOL-ing

Visakan Veerasamy · Medium · 2016-05-22

Life, particularly in modern civilization, is an absurd circus. We're all clowns living in boxes trying to amuse ourselves with elaborate games in the face of inevitable death and meaninglessness.

What's additionally absurd is that we go through a lot of trouble to avoid facing up to this fact. We avoid discussing it with children because we don't want to scare or frighten them. We avoid discussing it with our families at the dinner table because it seems rude or impolite. And most of us, it seems, just keep avoiding it at all costs.

Well, Albert Camus wanted to discuss it. He wrote an essay titled The Myth Of Sisyphus, about a wise, prudent mortal condemned by the Gods to the most miserable of punishments — futile, hopeless, meaningless labor. He was cursed to roll a large stone up a hill, have it roll back down, and repeat the process for eternity.

Camus uses quite a few words to make a subtle point — "If this myth is tragic, that is because its hero is conscious. Where would his torture be, indeed, if at every step the hope of succeeding upheld him?", and "The workman of today works everyday in his life at the same tasks, and his fate is no less absurd. But it is tragic only at the rare moments when it becomes conscious."

I agree with all of that. Being aware of futility is torturous, which is why we avoid it as much as we do.

Camus then goes on to try to make the case that Sisyphus should be HAPPY.

And this is where I think it devolves into wishful thinking.

"All Sisyphus' silent joy is contained therein. His fate belongs to him."

Really? It doesn't quite persuade me. I think Camus was getting a bit romantic and prescriptive here. It's equally valid to say that his fate belongs to the Gods, after all.

The essay ends with "The struggle itself toward the heights is enough to fill a man's heart. One must imagine Sisyphus happy."

This statement is prescriptive, not descriptive. Camus is saying that WE should imagine Sisyphus happy, for the sake of our own emotional and psychological well-being.

Existential Comics riffs off this idea amusingly by introducing gamification. In their take, Sisyphus enjoys his meaningless task once meaningless numbers and trinkets are added to the game.

I think this accurately captures how most humans deal with the meaninglessness of reality in practice, but I don't think that's exactly what Camus was trying to prescribe. I think Camus was trying to explore a question that he supposedly raised elsewhere– "should I kill myself or have a cup of coffee?". He was trying to say that Sisyphus must be imagined intrinsically happy.

And that we, by extension, should imagine ourselves happy with our absurd, futile lives.

If we go back to the Myth of Sisyphus essay, we see more clearly that the honors, gamifications, epaulettes – all of that is distraction from the awareness of the fundamental absurdity of human existence.

If Sisyphus enjoys the stickers and stats on his stone, as Existential Comics suggests he might, then he's (probably) distracting himself from the absurdity of his situation. Good for him, maybe.

But the fact that Camus sat down to write the essay he wrote suggests that he didn't think distraction sufficed. (For if he did, it would follow that he would've stopped worrying about the problem of absurdity and just distract himself with other things!)

So it's clear to me that Camus thought we ought to imagine ourselves happy despite being aware of the futility of existence.

Happiness is a trap

Here's what I think: I think that happiness is too much to ask for. I think happiness is a by-product, it's something that's realized rather than pursued. I think wanting to be happy all the time, trying to be happy all the time– I think that's a sort of madness. It's a very unfair, unrealistic expectation to have, and it guarantees dissatisfaction. A full, rich life would have all sorts of experiences and emotions associated with it. Sometimes we're happy and sometimes we're sad, and the sadness is every bit as important as the happiness.

If we're perpetually sad all the time, we might want to ask why that is, and whether we're okay with that. If we're not okay with that, then we might want to do something about it– change the setting, change the frame.

Use amusement as a weapon

I can't remember who was it where I first encountered the idea– it might've been Elon Musk or some writer or otherwise ambitious or entrepreneurial person– someone who said that happiness is subtle, fleeting and difficult to pin down, and it's much better to navigate by excitement. If you're unhappy (maybe because you're having a bad day, or a rough time, or you're tired), but you're excited about something, then you're probably doing alright. If you're happy, but you're not excited about something, chances are your happiness will fade sooner or later. It's more complex than that, of course, but the point is that if you have something to look forward to, then life becomes less of an ordeal.

Parallel to that, I've come to believe that the only enduring, sustainable response to absurdity is humor. To be reductive about it, either we laugh or we cry, isn't it? Either it's a tragedy or a comedy. And finding humor in something is incredibly powerful. If you can laugh after tremendous loss and suffering, after experiencing grave trauma and whatnot, then I believe that you'll be okay. I mean, you're going to DIE (sorry), and everything is ultimately meaningless, so you'll eventually cease to BE at all. But if you can still laugh, then you've still got a chance to enjoy the life you have left– even if it's painful, difficult, unfair, miserable and so on.

I'm not saying we should allow ourselves to be miserable, or that we shouldn't work to correct injustice, or that this justifies suffering. We should reduce suffering wherever we can. But suffering is an unlimited, renewable resource, so there will always be more of it down the road. Like the man cursed by the Gods, we will always be suffering.

One must imagine Sisyphus LOL-ing.

Originally published at https://medium.com/@visakanv/one-must-imagine-sisyphus-lol-ing-565f2bad0340.

An archive of books and mediareferenced by Visakan Veerasamy

Visa is a prolific consumer of art and media. Over the years, he has referenced, reviewed, and recommended thousands of books, essays, articles, comics, and videos. The Visakanv Megaweb pulls his collection together in one place. Each item carries a link tracing it back to the mention.

About the Megaweb

The Visakanv Megaweb is a public archive of everything Visakan Veerasamy (@visakanv) has put on the internet: a quarter-million tweets, more than a thousand essays and blog posts, hundreds of videos, and the books and media he points to.

Visa has been thinking out loud online since 2008. The result is one of the largest bodies of personal writing on the web, but until now it has lived in scattered places: threads you unroll by hand, blogs on separate platforms, videos spread across years. The Megaweb pulls all of it into one place you can read and search.

What’s inside

The archive is in four parts. The Twitter Archive holds his posts, threads, replies, and quote-tweets. The Writing Archive collects his essays and blogs across three collections. The Video Archive gathers his vlogs, talks, and readings. The Library is everything he points to: the books, essays, articles, and videos he references in his own work.

How it’s organized

Each part is built to be browsed on its own terms. Read a theme from top to bottom, sort by what is most-loved or most-recent, narrow to replies or originals, or search the text directly. Every item keeps a link back to where it came from.

A note on the data

Counts, excerpts, and rankings are drawn from Visa’s public posts. Sourcing and update cadence are still being finalized.

Writer and internet builder, known online as @visakanv. Here are his books, where to support his work, and where to find him.

His books

FAN Friendly Ambitious NerdOn becoming a kinder, bolder, more curious version of yourself.Gumroad →Goodreads →
INT IntrospectAn inward hero’s journey to earn your own trust and self-respect; a remix of Nietzsche, Emerson, Watts, Campbell, and Jung.Gumroad →Goodreads →
An archive of Visakan Veerasamy’s online work.
Set in Fraunces, Geist, and Geist Mono.
Built by Mars Code Factory.
The Twitter ArchiveBest Tweets

Best Tweets

Many tweets from Visa are popular, but some are more popular than others. Browse the 1,000 most-liked top-level posts in Visa’s Twitter archive.

The Twitter ArchiveBest Threads

Best Threads

Visa is known for megathreading, and has written more than 26,000 threads since 2008. Explore his threads, including the longest and most popular. To page through every one, browse the full list →

The Twitter ArchiveLongest Threads

Longest Threads

Visa's biggest megathreads: his longest unbroken sequences, up to 200+ posts. See the best-loved →

204
tweets in the longest thread
7.3
years, longest-running thread
84
tweets, avg. length

The Twitter ArchiveAll Threads

All Threads

Every thread Visa has written: more than 26,000 since 2008. Search the text, narrow by year or length, and sort however you like. See the 1,000 best-loved →

26,381
threads
2021
peak year
102,048
tweets in threads
Search
Length
Year
Theme
26,422 threads

The Twitter ArchiveAll Tweets

All Tweets

Here is every reply, quote-tweet, thread, and standalone post from Visa’s Twitter archive, more than a quarter-million in all. Retweets aren’t included here. Browse all his retweets →

Search
Type
Theme
Year
251,277 tweets

Themes

Visa’s tweets have common threads and narrative arcs if you look closely. Explore the themes he’s focused on across his years on Twitter, and the tweets in each.

Search
36 themes
The Twitter ArchiveRecurring Posts

Recurring Posts

Visa is known for quoting and resharing his own tweets, often to resurface an insight or reinforce an idea. See every time he’s quoted himself or brought an old post back into a conversation.

34,006
self-quotes
13,033
distinct ideas
339
most resurfaced
Search
Year
Theme
4,874 recurring ideas

Retweets

The accounts and posts Visa amplifies. Not his words, but a record of who and what he has pointed his audience toward over the years. Self-retweets aside, here is everyone he has reshared.

Network

If Twitter is a public town square, Visa is the hyperactive, affable guy who talks to everyone: nearly half his posts (45%) are replies to other people. Below are the 100 accounts he replies to most.

Less a body of work than
a body of conversation

The shape of it

Every post and retweet, sorted not by what it’s about but by what it is.

How the mix shifted

His blend of replies, quotes, posts and retweets as a share of each year. Hover for any year.

Volume over time

Themes

What he posts about most. Toggle to see what actually lands.

His network

The accounts he engages with most. Toggle replies, quote-tweets, or retweets; tap a bar to open the account.

…and the same as a bubble field: the top accounts he replies to and quotes most, sized by how often. Hover or tap a bubble.

Hall of fame

All-time records across the archive.

The record-setting tweets

All of Observations & Humor

Every tweet in Observations & Humor. Search the text or a handle, narrow by date or to replies vs. originals, and sort however you like.

Search
Type
Year
16,834 tweets
reply312 likes2026-05-22
original2.1K likes2026-05-20
reply84 likes2026-05-19

placeholder copy and data · this same page serves any scope (a theme, an account)

Search
Year
Datesto

Your bookmarks