VVM The Visakanv Megaweb The Visakanv Megaweb

Welcome to theVisakanv Megaweb

Since 2008, Visa has been thinking out loud on the internet, sharing his ideas with the world. The result: a quarter-million tweets, more than a thousand essays and blog posts, and hundreds of videos. The Visakanv Megaweb collects all of it, plus the books and media Visa keeps recommending, into one archive, organized so you can find your way through. Pick a place to start.

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An archive of Twitter postsby Visakan Veerasamy

Visakan Veerasamy (@visakanv) has been posting on X (formerly Twitter) since 2008, racking up more than a quarter-million posts across dozens of topics. The Visakanv Megaweb organizes them into a single archive you can browse without friction. Explore Visa’s most popular posts, favorite themes, and online network via curated lists. Looking for something specific, or want to browse the archive your way? It’s all here: filters for date, length, and more, plus search across text and handles.

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0002: I enjoy late night conversations and unedited writing

One Million Words · Writing · 2012 · 1.2k words

Late night conversations with friends affirm existence and spark truth. Writing unedited reveals hidden capacity and catharsis; it's a practice worth building.

0002 – I enjoy late night conversations and unedited writing

Word Vomit is when I write 1000 words in 15 minutes, without editing. I’m sure you have better uses of your time than to read this.

It’s 4:25am- again? And I’m wondering whether it’s a good idea to build this practice of writing at such a late hour. Still, I think it’s better to write than to not write, so here goes. This is an experiment in stream-of-consciousness writing with absolutely minimal editing.

There are two things on my mind- late night conversations, and truths that have emerged through trial and error. (Truths that I have learnt about myself and how I operate.)

First, late night conversations. I just had one with a few of my close friends and it was a great experience. I am thankful for my late night conversations with close friends. We inevitably talk about a bit of everything- about people, about places, about ideas. We talk about what we’ve experienced, we talk about what’s on our minds, we talk about what’s interesting, what’s novel, what’s new, what’s old, what’s familiar, what’s different, what’s fun. The most interesting thing of all about these conversations, I find, is not what you talk about, but the act of conversation itself. What you communicate to one another simply by choosing to communicate to one another. I exist, and you exist, and you are valid, as am I, and we have perspectives that are interesting and valuable that we ought to clash together just to see what emerges. It’s very life affirming. Conversations are my favourite thing.

I like to think of conversations as a kind of engagement. It doesn’t have to be between living people- you could have a conversation with yourself, or an unseen audience (which I am doing now, I think). You could have a conversation with a piece of art, or something completely mundane, and it might be interesting or relevant to you. Conversation to me is the act of clashing, the process where things get shaken up and swirled around so that new ideas and perspectives emerge, things that are perhaps different in terms of breadth, depth, clarity or brevity. This is the source of learning and insight. I especially like the social element of it all- the act of conversation validates experience, it validates existence- we could be talking about little-nothings, but the act of talking is somehow meaningful, otherwise we wouldn’t be doing it.

You could say that we do meaningless things- that is true. I’m not entirely sure how to tell the difference between a meaningful conversation and a meaningless one, but I think we all intuitively know the difference- we know it when we see it. It’s the same feeling we feel when we encounter good art. Something engages you, something shakes you up, something changes inside you. Interestingly, what is meaningful to one person could be devoid of meaning to another, and what is meaningful on one occasion might not be so under different circumstances. It’s all pretty cool to think about.

A random quote I remember reading somewhere- late night conversations are the best, because we speak the truth when our eyelids are heavy. I’m paraphrasing that, of course, but there’s something about tiredness that forces you to be a little more economical. It’s kind of like living with the shadow of death- when reminded of our own mortality and limitations, we strive harder to make meaning somehow.

On to self-evident truths. I discovered during my NS that I can write in far greater volume when I write with pen and paper, as opposed to writing into my blog’s display in a browser. The obvious difference, of course, is distraction- I can’t open a new tab while I’m writing with pen and paper. That sort of writing requires full engagement- or rather, full engagement is the only option, because there are no distractions. I’m experiencing something similar right now as I write into my “Write Or Die” app, where I have 15 minutes to write 1000 words, and I don’t have time to think, to adequately structure my thoughts. You just take your thoughts and you run with them without knowing where they’re going to lead.

I think there’s something to be said about how writing-while-editing is qualitatively different from writing without editing, then editing afterwards. I get much more words out, for one. Does that mean anything useful? Is it just drivel? It could be, but I don’t really think so. I think there’s an element of “free association” that happens when you write without editing- you take paths that you might otherwise avoid when you’re overly conscious of the act of writing. When I’m self conscious about my writing, I probably tend to stick to certain paths, certain formulas, certain tactics. When I don’t have the luxury (or burden) of self-consciousness, perhaps I am freer as a writer- or perhaps I lapse into other patterns and formulas. Time will tell. What I do know is that it’s worth trying something different for the sake of it, so that I can compare and contrast the different approaches. I do find this process (writing without editing) to be much more cathartic- instead of trying to sip from a firehose, I spray the firehose into a container, and perhaps drink from it afterwards, when my thoughts have settled and I have a clearer idea of what I want.

My paragraphs are certainly longer and more verbose, and I kinda apologize for that. Then and again, when I write in this state, I write for nobody’s consumption but my own. (I still have 2 minutes and 46 seconds to go, and we’re at 900 words). Wow. That’s pretty startling. It shakes me up to realize that I could write a thousand words in under 15 minutes, even if it isn’t of particularly stellar quality, even if much of it is mush. Because I used to think that such quantity takes hours and hours of practice. I suspect this isn’t the case, I suspect I had vastly underestimated my own capabilities, and that the act of multi-tasking (writing and editing at the same time) greatly slows me down- (1000 words!). Multi-tasking is just a generally bad idea. It makes more sense to focus on one thing at a time- content generation, and then content curation. You don’t know in advance what will work best, so it’s better to just wing it, and then count your kills afterwards.

This is incredibly cathartic and therapeutic for me, and I plan to make it a habit. Who knows what my next session will bring. That said, I cannot waste time trying to linger too long on a particular matter. (Perhaps sometimes that might pay off, but I don’t think it makes sense to do that when you’re trying to form a new habit altogether.) So I’m going to go to bed early- or as early as 4:40am can be, and perhaps contemplate what it means to be able to generate so much more content than I formerly thought possible. This is going to be interseting- to me, at least.

Originally published at https://visakanv.com/1000/0002-late-night-conversations-and-writing-without-editing/.

An archive of books and mediareferenced by Visakan Veerasamy

Visa is a prolific consumer of art and media. Over the years, he has referenced, reviewed, and recommended thousands of books, essays, articles, comics, and videos. The Visakanv Megaweb pulls his collection together in one place. Each item carries a link tracing it back to the mention.

About the Megaweb

The Visakanv Megaweb is a public archive of everything Visakan Veerasamy (@visakanv) has put on the internet: a quarter-million tweets, more than a thousand essays and blog posts, hundreds of videos, and the books and media he points to.

Visa has been thinking out loud online since 2008. The result is one of the largest bodies of personal writing on the web, but until now it has lived in scattered places: threads you unroll by hand, blogs on separate platforms, videos spread across years. The Megaweb pulls all of it into one place you can read and search.

What’s inside

The archive is in four parts. The Twitter Archive holds his posts, threads, replies, and quote-tweets. The Writing Archive collects his essays and blogs across three collections. The Video Archive gathers his vlogs, talks, and readings. The Library is everything he points to: the books, essays, articles, and videos he references in his own work.

How it’s organized

Each part is built to be browsed on its own terms. Read a theme from top to bottom, sort by what is most-loved or most-recent, narrow to replies or originals, or search the text directly. Every item keeps a link back to where it came from.

A note on the data

Counts, excerpts, and rankings are drawn from Visa’s public posts. Sourcing and update cadence are still being finalized.

Writer and internet builder, known online as @visakanv. Here are his books, where to support his work, and where to find him.

His books

FAN Friendly Ambitious NerdOn becoming a kinder, bolder, more curious version of yourself.Gumroad →Goodreads →
INT IntrospectAn inward hero’s journey to earn your own trust and self-respect; a remix of Nietzsche, Emerson, Watts, Campbell, and Jung.Gumroad →Goodreads →
An archive of Visakan Veerasamy’s online work.
Set in Fraunces, Geist, and Geist Mono.
Built by Mars Code Factory.
The Twitter ArchiveBest Tweets

Best Tweets

Many tweets from Visa are popular, but some are more popular than others. Browse the 1,000 most-liked top-level posts in Visa’s Twitter archive.

The Twitter ArchiveBest Threads

Best Threads

Visa is known for megathreading, and has written more than 26,000 threads since 2008. Explore his threads, including the longest and most popular. To page through every one, browse the full list →

The Twitter ArchiveLongest Threads

Longest Threads

Visa's biggest megathreads: his longest unbroken sequences, up to 200+ posts. See the best-loved →

204
tweets in the longest thread
7.3
years, longest-running thread
84
tweets, avg. length

The Twitter ArchiveAll Threads

All Threads

Every thread Visa has written: more than 26,000 since 2008. Search the text, narrow by year or length, and sort however you like. See the 1,000 best-loved →

26,381
threads
2021
peak year
102,048
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Year
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26,422 threads

The Twitter ArchiveAll Tweets

All Tweets

Here is every reply, quote-tweet, thread, and standalone post from Visa’s Twitter archive, more than a quarter-million in all. Retweets aren’t included here. Browse all his retweets →

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251,277 tweets

Themes

Visa’s tweets have common threads and narrative arcs if you look closely. Explore the themes he’s focused on across his years on Twitter, and the tweets in each.

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36 themes
The Twitter ArchiveRecurring Posts

Recurring Posts

Visa is known for quoting and resharing his own tweets, often to resurface an insight or reinforce an idea. See every time he’s quoted himself or brought an old post back into a conversation.

34,006
self-quotes
13,033
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Theme
4,874 recurring ideas

Retweets

The accounts and posts Visa amplifies. Not his words, but a record of who and what he has pointed his audience toward over the years. Self-retweets aside, here is everyone he has reshared.

Network

If Twitter is a public town square, Visa is the hyperactive, affable guy who talks to everyone: nearly half his posts (45%) are replies to other people. Below are the 100 accounts he replies to most.

Less a body of work than
a body of conversation

The shape of it

Every post and retweet, sorted not by what it’s about but by what it is.

How the mix shifted

His blend of replies, quotes, posts and retweets as a share of each year. Hover for any year.

Volume over time

Themes

What he posts about most. Toggle to see what actually lands.

His network

The accounts he engages with most. Toggle replies, quote-tweets, or retweets; tap a bar to open the account.

…and the same as a bubble field: the top accounts he replies to and quotes most, sized by how often. Hover or tap a bubble.

Hall of fame

All-time records across the archive.

The record-setting tweets

All of Observations & Humor

Every tweet in Observations & Humor. Search the text or a handle, narrow by date or to replies vs. originals, and sort however you like.

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16,834 tweets
reply312 likes2026-05-22
original2.1K likes2026-05-20
reply84 likes2026-05-19

placeholder copy and data · this same page serves any scope (a theme, an account)

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