VVM The Visakanv Megaweb The Visakanv Megaweb

Welcome to theVisakanv Megaweb

Since 2008, Visa has been thinking out loud on the internet, sharing his ideas with the world. The result: a quarter-million tweets, more than a thousand essays and blog posts, and hundreds of videos. The Visakanv Megaweb collects all of it, plus the books and media Visa keeps recommending, into one archive, organized so you can find your way through. Pick a place to start.

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An archive of Twitter postsby Visakan Veerasamy

Visakan Veerasamy (@visakanv) has been posting on X (formerly Twitter) since 2008, racking up more than a quarter-million posts across dozens of topics. The Visakanv Megaweb organizes them into a single archive you can browse without friction. Explore Visa’s most popular posts, favorite themes, and online network via curated lists. Looking for something specific, or want to browse the archive your way? It’s all here: filters for date, length, and more, plus search across text and handles.

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36
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0283: narratives, weirdness, imperfections

One Million Words · Life & Meaning · 2015 · 1.1k words

A rumination on narratives as the frameworks we use to make sense of life. Grapples with existential purpose, the absurdity of existence, and the need for a sustaining story, ultimately pointing toward shedding illusions and finding freedom in the present moment.

0283 – narratives, weirdness, imperfections

Playing with narratives.

Narratives are powerful, heady stuff. The brain is supposedly wired to think in narratives rather than facts and figures. That’s why we prefer stories to boring lectures. That’s why human drama is much more memorable than a bunch of symbols and charts. (Well– symbols and charts can communicate stories too, but that doesn’t change the underlying point.)

So. If we think in narratives, we remember things in narratives, and we explain things to ourselves in narratives, it makes sense to try and come up with a narrative (or set of narratives) that help us function better. That help us navigate this crazy, absurd thing we call reality. Why are we here? We don’t really know. What are we going to do with our lives? We don’t really know. We inherit narratives from the time we are born, and scripts, and we live out these scripts and narratives– usually imperfectly, often to the best of our abilities. Sometimes things get difficult and painful, and it requires a narrative for us to make sense of all the mess, to cope with it. Blah blah blah.

Good movies, good books, they have an effect on us. They make us feel things. They make us want to do things, or want to see things differently, they move us in some way. Independent of these things, for the most part I feel like I’m not moving anywhere. I’m not going anywhere. The universe is a vibration of information, space and time, color and light and sound. And sometimes I feel like I’m all shut in, a little alien dot in an alien system that I don’t understand as much as I’d like to, this weird imperfect mind trapped in weird, imperfect body that’s trapped in a weird, imperfect world. (Weird, imperfect States, weird, imperfect networks of weird imperfections.) Alright. Then what? So what?

Nothing much, really. Life is a long lazy afternoon by the beach and we get to decide for ourselves how we want to spend it. So how do I want to spend mine? I want to have fun. But there’s the messy business of existence– bills to pay, jobs, responsibilities, health to worry about, relationships to maintain. These are things that have to be taken care of before we can really have fun. And at the same time– we can’t spend our entire existence obsessing about perpetuating existence– what are we living for? What’s the point of sustaining a nearly-perfect automaton if it doesn’t experience bliss and joy? Working for the sake of working for the sake of self-perpetuation feels hollow and void. There has to be something more, even if it’s just the illusion of meaning. There are chemicals that wash over the brain that make us feel good, and we’d like to feel good for some brief instances before we die. But surely life shouldn’t just be a series of momentary pleasures within a vast struggle to stay alive until we’re dead. There should be something a bit more uplifting than that. There should be something that compels us to wake up in the morning that’s more than “I need to eat, pay the bills and go to bed.” I mean, these are normative statements. There’s nothing in the code of the universe that says human beings– bundles of atoms– are entitled to anything more than destruction. Okay.

Then what? We’re still here. Whatever is up, we’re still here. And it’s up to us to provide our own light. I think pleasure comes from pursuit, from learning, from growth. The more we learn, the more we grow, the more we experience and practice compassion, the fuller our hearts are– and in more techical terms these are just a washing of chemicals too, empathy, bonding, yadda yadda.

Back to Power of Now– when we figure out our inner purpose, we can enjoy arbitrary, random external purposes as games that we play because we enjoy playing them. Life should be enjoyed and not taken too seriously, because nobody makes it out alive. The universe itself is not going to make it out alive. So there’s no need to be so serious.

There’s this idea that love is beauty– that we can find ourselves in each other, that we can connect with one another and experience these deep spiritual awakenings, that we can feel less alone. Sometimes I agree with this and feel it strongly. Sometimes it just feels like another joke, another laugh, another staged production in the theater of the absurd. I suppose all of those things are true. I suppose it bothers me in a sense that nobody owes me anything– but the only reason I ever even had the illusion that anybody owed me anything was the fact that I grew up as a child, like everybody else, and children are often born into environments where the world owes them something. Eventually you grow up and realize that that was a convenient little fiction, something people tell you to keep you functioning until you can contribute economically, contribute in some way to the collaborative functioning of the species. Which is itself weird and imperfect.

Then what? What’s the payoff? I suppose in the shedding of illusions there is freedom, although with the shedding of illusions it’s not entirely clear what we ought to use those freedoms to do. I suppose the excercising of the freedom is a pleasure in itself. I’m sitting here typing into a laptop while sitting on my sofa in my home (which I’m paying the mortgage for) in my city-state (that I serve as a citizen-soldier for, and pay taxes for) on my planet– which I don’t actually do very much for. I suppose belonging comes from sacrifice and contribution, and taking risks on the behalf of others. That’s part of why I’m doing this little writing experiment, even if it doesn’t really make a lot of sense as I’m doing it, and even if it won’t make the slightest shred of sense at the end.

The thing is that I need a narrative that keeps me going. Or maybe not. Maybe I just need to silence all the narratives that I’ve been tempted to put on myself. Maybe there’s some sort of deeper wisdom beyond language, beyond communication, and it comes from being still in nature, erasing the boundaries between our selves and skins and experiencing the infinity that is the present moment.

Originally published at https://visakanv.com/1000/0283-narratives-weirdness-imperfections/.

An archive of books and mediareferenced by Visakan Veerasamy

Visa is a prolific consumer of art and media. Over the years, he has referenced, reviewed, and recommended thousands of books, essays, articles, comics, and videos. The Visakanv Megaweb pulls his collection together in one place. Each item carries a link tracing it back to the mention.

About the Megaweb

The Visakanv Megaweb is a public archive of everything Visakan Veerasamy (@visakanv) has put on the internet: a quarter-million tweets, more than a thousand essays and blog posts, hundreds of videos, and the books and media he points to.

Visa has been thinking out loud online since 2008. The result is one of the largest bodies of personal writing on the web, but until now it has lived in scattered places: threads you unroll by hand, blogs on separate platforms, videos spread across years. The Megaweb pulls all of it into one place you can read and search.

What’s inside

The archive is in four parts. The Twitter Archive holds his posts, threads, replies, and quote-tweets. The Writing Archive collects his essays and blogs across three collections. The Video Archive gathers his vlogs, talks, and readings. The Library is everything he points to: the books, essays, articles, and videos he references in his own work.

How it’s organized

Each part is built to be browsed on its own terms. Read a theme from top to bottom, sort by what is most-loved or most-recent, narrow to replies or originals, or search the text directly. Every item keeps a link back to where it came from.

A note on the data

Counts, excerpts, and rankings are drawn from Visa’s public posts. Sourcing and update cadence are still being finalized.

Writer and internet builder, known online as @visakanv. Here are his books, where to support his work, and where to find him.

His books

FAN Friendly Ambitious NerdOn becoming a kinder, bolder, more curious version of yourself.Gumroad →Goodreads →
INT IntrospectAn inward hero’s journey to earn your own trust and self-respect; a remix of Nietzsche, Emerson, Watts, Campbell, and Jung.Gumroad →Goodreads →
An archive of Visakan Veerasamy’s online work.
Set in Fraunces, Geist, and Geist Mono.
Built by Mars Code Factory.
The Twitter ArchiveBest Tweets

Best Tweets

Many tweets from Visa are popular, but some are more popular than others. Browse the 1,000 most-liked top-level posts in Visa’s Twitter archive.

The Twitter ArchiveBest Threads

Best Threads

Visa is known for megathreading, and has written more than 26,000 threads since 2008. Explore his threads, including the longest and most popular. To page through every one, browse the full list →

The Twitter ArchiveLongest Threads

Longest Threads

Visa's biggest megathreads: his longest unbroken sequences, up to 200+ posts. See the best-loved →

204
tweets in the longest thread
7.3
years, longest-running thread
84
tweets, avg. length

The Twitter ArchiveAll Threads

All Threads

Every thread Visa has written: more than 26,000 since 2008. Search the text, narrow by year or length, and sort however you like. See the 1,000 best-loved →

26,381
threads
2021
peak year
102,048
tweets in threads
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Length
Year
Theme
26,422 threads

The Twitter ArchiveAll Tweets

All Tweets

Here is every reply, quote-tweet, thread, and standalone post from Visa’s Twitter archive, more than a quarter-million in all. Retweets aren’t included here. Browse all his retweets →

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Type
Theme
Year
251,277 tweets

Themes

Visa’s tweets have common threads and narrative arcs if you look closely. Explore the themes he’s focused on across his years on Twitter, and the tweets in each.

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36 themes
The Twitter ArchiveRecurring Posts

Recurring Posts

Visa is known for quoting and resharing his own tweets, often to resurface an insight or reinforce an idea. See every time he’s quoted himself or brought an old post back into a conversation.

34,006
self-quotes
13,033
distinct ideas
339
most resurfaced
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Year
Theme
4,874 recurring ideas

Retweets

The accounts and posts Visa amplifies. Not his words, but a record of who and what he has pointed his audience toward over the years. Self-retweets aside, here is everyone he has reshared.

Network

If Twitter is a public town square, Visa is the hyperactive, affable guy who talks to everyone: nearly half his posts (45%) are replies to other people. Below are the 100 accounts he replies to most.

Less a body of work than
a body of conversation

The shape of it

Every post and retweet, sorted not by what it’s about but by what it is.

How the mix shifted

His blend of replies, quotes, posts and retweets as a share of each year. Hover for any year.

Volume over time

Themes

What he posts about most. Toggle to see what actually lands.

His network

The accounts he engages with most. Toggle replies, quote-tweets, or retweets; tap a bar to open the account.

…and the same as a bubble field: the top accounts he replies to and quotes most, sized by how often. Hover or tap a bubble.

Hall of fame

All-time records across the archive.

The record-setting tweets

All of Observations & Humor

Every tweet in Observations & Humor. Search the text or a handle, narrow by date or to replies vs. originals, and sort however you like.

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16,834 tweets
reply312 likes2026-05-22
original2.1K likes2026-05-20
reply84 likes2026-05-19

placeholder copy and data · this same page serves any scope (a theme, an account)

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