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Since 2008, Visa has been thinking out loud on the internet, sharing his ideas with the world. The result: a quarter-million tweets, more than a thousand essays and blog posts, and hundreds of videos. The Visakanv Megaweb collects all of it, plus the books and media Visa keeps recommending, into one archive, organized so you can find your way through. Pick a place to start.

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An archive of Twitter postsby Visakan Veerasamy

Visakan Veerasamy (@visakanv) has been posting on X (formerly Twitter) since 2008, racking up more than a quarter-million posts across dozens of topics. The Visakanv Megaweb organizes them into a single archive you can browse without friction. Explore Visa’s most popular posts, favorite themes, and online network via curated lists. Looking for something specific, or want to browse the archive your way? It’s all here: filters for date, length, and more, plus search across text and handles.

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0319: tawk is cheap

One Million Words · Writing · 2015 · 1k words

Reflects on the compulsion to write daily, contrasts it with the cheap validation of internet chatter, and resolves to focus on his own work instead of following strangers into distraction.

0319 – tawk is cheap

In Zen In The Art Of Writing, Ray Bradbury describes how he feels weird if he doesn’t write for a couple of days. I can’t remember the details, so I’ll project how I interpreted it. A little anxious, a little morose, a little “unclean”, even. Not writing for a few days is like not cleaning the house for a few days– things start to get dirty and messy and really uncomfortable. I think if there’s anything at all that suggests that I might be destined to be a writer, it’s the fact that I feel really weird when I haven’t written in a while. It’s silly of me not to internalize this fact quicker, because I’d be both happier and more productive if I simply wrote everyday.

I spent a little bit of time today clicking around the internet, clicking around reddit, and I started to feel my brain rotting. I fucking hate that feeling, it’s one of the worst feelings in the world. I call myself a child of the Internet, but the truth is that a lot of the internet is very tedious and wasteful. I like the internet for its ability to connect people, but the vast majority of people aren’t interested in having some sort of in-depth conversation at every moment. They might be receptive to it if it’s something that means a lot to them, but most people go on Reddit or Facebook for quick entertainment and laughs, and some bitching and steam-letting.

I used to be a Facebook addict, writing long status updates, replying to other people’s statuses, really, spending hours on it everyday. Somehow it felt like validation, it felt like I wasn’t wasting my time even if there were little to no stakes, and little to no impact on my life outside of those pixels. I eventually got sick of it and I deleted every single friend off of Facebook. The silence was deafening for a while, but I adjusted. I went on to unfollow everyone on Twitter, Tumblr and Instagram as well. I think this happened around August 2014 or so, and for a few months I sort of enjoyed living that different life.

Over time, though, it crept back on me. I haven’t been writing Facebook status-essays, and I’ve been doing these vomits instead, which I am prouder of. I’m not sure why that is. I suppose when you own your own project, put your own name on it, and carve out a space for yourself rather than piggyback off of communal space and communal attention, you get to dictate how the conversation goes. I’ve noticed this playing out even on my own blogs– I used to blog about Singaporean political issues, and I kept at it because there was all sorts of feedback. But after a while I realized that I was playing into a broader circus that wasn’t entirely of my own choosing. I was writing what other people wanted to read, and it felt a little hollow.

I’m currently re-reading Neil Strauss’s The Game, which is I think an underrated book– he talks about all sorts of interesting things apart from having sex with women, but most people just focus on the sex-with-women part. If and when I review it, I’d like to review all of the other parts instead. The part that’s relevant to this train of thought– Neil talked about how standup comedians teach themselves to develop a tight 5-minute routine that should work on anybody, anywhere, but after using it over and over again they lose respect for audiences because they’re so easy to manipulate. I suppose I felt the same way about writing about the Singaporean political scene, which was what made me quit. And I suppose similarly, I felt that frustration with myself for smoking cigarettes, and I feel that frustration now when I watch myself writing mini-essays on Reddit– exactly the same way I used to do on Facebook.

Why do I keep seeking out this micro-validation from strangers on the Internet? I suppose because it’s easy and accessible and bite-sized. There’s something about a conversation– and I was having this conversation (so meta) on Twitter with a couple of writers I admire. They were talking about writer’s block, and I shared with them that my go-to solution to writer’s block is to simply explain to another person what you want to write– and then use that explanation as source material. One of them said– Exactly, there’s no such thing as Talker’s Block.

I suppose that’s the thing about writing in response to other people– there’s no blockage. It’s easier. You feel like there’s a demand for your work. I was reading somewhere else that it’s very easy to get caught up in the busywork of replying to emails– there’s something about what it feels like to respond to a question, or to something somebody says– that makes you feel like what you’re doing matters. And the deceptive thing is– it’s not that it doesn’t matter at all (ignoring existential does-anything-matter considerations), it’s that it’s usually worth RELATIVELY little. Tawk is cheap, except in the few instances where it isn’t, and sitting around waiting for these opportunities is a very lousy strategy. It can sorta feel good, but it’s lousy.

I guess I’m writing this to myself to say, dude, get the fuck off Reddit. It’s the same problem you had with Facebook, which is that you’re not exactly talking or writing on your own terms. You’re just following strangers around. It’s like sitting in a bar looking for conversations to join. The problem is that it’s very rare that great conversationalists come to a bar to bitch about things– more often than not they’re busy with their work. They’re busy focused on the things that matter. So I suppose this is my affirmation to say, no reddit for me until I’ve made substantial progress with these vomits. Maybe until I’m done with the whole thing altogether. Tawk is cheap. Tawk is cheap. Tawk is cheap.

Originally published at https://visakanv.com/1000/0319-tawk-is-cheap/.

An archive of books and mediareferenced by Visakan Veerasamy

Visa is a prolific consumer of art and media. Over the years, he has referenced, reviewed, and recommended thousands of books, essays, articles, comics, and videos. The Visakanv Megaweb pulls his collection together in one place. Each item carries a link tracing it back to the mention.

About the Megaweb

The Visakanv Megaweb is a public archive of everything Visakan Veerasamy (@visakanv) has put on the internet: a quarter-million tweets, more than a thousand essays and blog posts, hundreds of videos, and the books and media he points to.

Visa has been thinking out loud online since 2008. The result is one of the largest bodies of personal writing on the web, but until now it has lived in scattered places: threads you unroll by hand, blogs on separate platforms, videos spread across years. The Megaweb pulls all of it into one place you can read and search.

What’s inside

The archive is in four parts. The Twitter Archive holds his posts, threads, replies, and quote-tweets. The Writing Archive collects his essays and blogs across three collections. The Video Archive gathers his vlogs, talks, and readings. The Library is everything he points to: the books, essays, articles, and videos he references in his own work.

How it’s organized

Each part is built to be browsed on its own terms. Read a theme from top to bottom, sort by what is most-loved or most-recent, narrow to replies or originals, or search the text directly. Every item keeps a link back to where it came from.

A note on the data

Counts, excerpts, and rankings are drawn from Visa’s public posts. Sourcing and update cadence are still being finalized.

Writer and internet builder, known online as @visakanv. Here are his books, where to support his work, and where to find him.

His books

FAN Friendly Ambitious NerdOn becoming a kinder, bolder, more curious version of yourself.Gumroad →Goodreads →
INT IntrospectAn inward hero’s journey to earn your own trust and self-respect; a remix of Nietzsche, Emerson, Watts, Campbell, and Jung.Gumroad →Goodreads →
An archive of Visakan Veerasamy’s online work.
Set in Fraunces, Geist, and Geist Mono.
Built by Mars Code Factory.
The Twitter ArchiveBest Tweets

Best Tweets

Many tweets from Visa are popular, but some are more popular than others. Browse the 1,000 most-liked top-level posts in Visa’s Twitter archive.

The Twitter ArchiveBest Threads

Best Threads

Visa is known for megathreading, and has written more than 26,000 threads since 2008. Explore his threads, including the longest and most popular. To page through every one, browse the full list →

The Twitter ArchiveLongest Threads

Longest Threads

Visa's biggest megathreads: his longest unbroken sequences, up to 200+ posts. See the best-loved →

204
tweets in the longest thread
7.3
years, longest-running thread
84
tweets, avg. length

The Twitter ArchiveAll Threads

All Threads

Every thread Visa has written: more than 26,000 since 2008. Search the text, narrow by year or length, and sort however you like. See the 1,000 best-loved →

26,381
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26,422 threads

The Twitter ArchiveAll Tweets

All Tweets

Here is every reply, quote-tweet, thread, and standalone post from Visa’s Twitter archive, more than a quarter-million in all. Retweets aren’t included here. Browse all his retweets →

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251,277 tweets

Themes

Visa’s tweets have common threads and narrative arcs if you look closely. Explore the themes he’s focused on across his years on Twitter, and the tweets in each.

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36 themes
The Twitter ArchiveRecurring Posts

Recurring Posts

Visa is known for quoting and resharing his own tweets, often to resurface an insight or reinforce an idea. See every time he’s quoted himself or brought an old post back into a conversation.

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4,874 recurring ideas

Retweets

The accounts and posts Visa amplifies. Not his words, but a record of who and what he has pointed his audience toward over the years. Self-retweets aside, here is everyone he has reshared.

Network

If Twitter is a public town square, Visa is the hyperactive, affable guy who talks to everyone: nearly half his posts (45%) are replies to other people. Below are the 100 accounts he replies to most.

Less a body of work than
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The shape of it

Every post and retweet, sorted not by what it’s about but by what it is.

How the mix shifted

His blend of replies, quotes, posts and retweets as a share of each year. Hover for any year.

Volume over time

Themes

What he posts about most. Toggle to see what actually lands.

His network

The accounts he engages with most. Toggle replies, quote-tweets, or retweets; tap a bar to open the account.

…and the same as a bubble field: the top accounts he replies to and quotes most, sized by how often. Hover or tap a bubble.

Hall of fame

All-time records across the archive.

The record-setting tweets

All of Observations & Humor

Every tweet in Observations & Humor. Search the text or a handle, narrow by date or to replies vs. originals, and sort however you like.

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16,834 tweets
reply312 likes2026-05-22
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reply84 likes2026-05-19

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