VVM The Visakanv Megaweb The Visakanv Megaweb

Welcome to theVisakanv Megaweb

Since 2008, Visa has been thinking out loud on the internet, sharing his ideas with the world. The result: a quarter-million tweets, more than a thousand essays and blog posts, and hundreds of videos. The Visakanv Megaweb collects all of it, plus the books and media Visa keeps recommending, into one archive, organized so you can find your way through. Pick a place to start.

262K
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1,251
essays & blogs
459
videos

An archive of Twitter postsby Visakan Veerasamy

Visakan Veerasamy (@visakanv) has been posting on X (formerly Twitter) since 2008, racking up more than a quarter-million posts across dozens of topics. The Visakanv Megaweb organizes them into a single archive you can browse without friction. Explore Visa’s most popular posts, favorite themes, and online network via curated lists. Looking for something specific, or want to browse the archive your way? It’s all here: filters for date, length, and more, plus search across text and handles.

262K
tweets
26K+
threads
36
themes

0782: the difference between video and text

One Million Words · Art & Creativity · 2020 · 1.2k words

Visa reflects on the differences between making videos and writing text, exploring the trade-offs in bandwidth, pacing, and polish. He commits to producing large volumes in both mediums to improve at freestyling across them.

0782 – the difference between video and text

It’s 12 noon on tuesday the 7th of April 2020. It’s been about 3 months since my last word vomit. I’ve been spending most of my productive time and creative energy working on my ebook FRIENDLY AMBITIOUS NERD and making videos for my youtube channel. I’m quite proud of how much I’ve done on those fronts, and how well. But of course this project (@1000wordvomits) is always on the back of my mind.

What is its purpose right now? Because its purpose has changed over the years. Initially it was all about becoming a better writer. I think I’ve crossed several thresholds on that front. I feel comfortable and confident enough as a writer that I’ve written, published and sold an ebook to hundreds of people. That feels really good. So what’s next? I still want to finish this project. That means 219 more reps of 1000 words each. What do I want to do with these reps? What would be ideal for me?

I think I’m now starting to think of my body of work as a sort of sprawling junkyard that I can pull from, in order to craft more polished material. I’ve been doing a pretty good job of this on Twitter. And I think I’ve been doing a pretty good job of it on YouTube, too. YouTube is currently more interesting to me, being the more recent pursuit.

I quite like how I’m approaching my YouTube process. Every youtube video has a thumbnail and a title. I start my ad-libs by thinking of a word or phrase that I want to put in the thumbnail, and then I try to make the title something that riffs around that word. Phrases I’ve used so far are “friends”, “project management”, “masculinity”, “motivation”, “ambition”, “thinking”, “depression”, “optimism”, “nerd”, “storytelling”, “navigating culture”, “boredom”, “recreating myself”, “isolation”, “crisis”, “prolific”, “rerouting”. Many of these one-or-two-word prompts build out into videos that are 30-50 minutes long, and I’m not sure if I’d have been able to do them if not for having written so many word vomits and tweets.

So what now? For the foreseeable future, I want to keep doing these ad-lib youtube videos. I’ve done 34 videos so far, I want to do at least 66 more this year. So I’ll have to keep thinking of words that mean something to me, words that I can use as generative seeds. The seed leads to the content, and the content can then be condensed back into the seed. I personally find it to be a remarkable information architecture challenge, at least for me.

What’s the difference between videos and text? There are lots of differences, many of which are probably not even obvious to me, the guy doing all the writing and video-making. There are pros and cons to both approaches. The big benefit of video is that you get to use gestures, facial expressions, body language and vocal tone to convey your points. The written word doesn’t quite have that luxury, that sort of bandwidth. The written word, on the other hand, can be read at the reader’s own pace. Yes, it’s true that you can rewind and replay videos – but you can’t quite jump around the text as easily. You can’t watch all of the video at once, backwards and forwards. There’s just something fundamentally different about how written text and video are supposed to be parsed, allow themselves to be parsed. You can try to be “textual” with a video in a sort of creative way, and you can try to be “video-esque” in your writing (“stream of consciousness” is the usual description), and both of those approaches can have interesting outcomes – but there is a difference still, and a skilled communicator will learn to appreciate that difference.

It might seem like “transcribed videos” are the best of both worlds, since you can watch the video AND read the transcript. In practice, though, I find that the raw transcript of an ad-libbed video tends to be more challenging to read. It comes across as incoherent and rambly. (Which can also be a problem with written text, I know.) So you’ll then have to make some editorial decisions as a transcriber – maybe you’ll choose to leave out bits of clunky repetition, ums and ahs. That makes for a cleaner reading experience. But there is information encoded in every clunky repetition, every um and ah. The editor has to make some executive decisions re: how much of that information is actually relevant to the reader. Some of it just gets lost in translation.

Finally, it’s tempting to think that the holy grail of all of this is the well-prepared, well-scripted video that’s well-rehearsed and well-executed, so that both the video and the transcript of it flow smoothly and artfully. There are trade-offs here, too. First of all, making such polished content is something that takes a lot of time and effort. You might spend days worth of effort to make a polished little gem of content. And you may subsequently discover that all that polish and editing somehow choked the life out of the work. I find that to be a very demoralizing experience – and so I have largely chosen to instead produce large volumes of content, both in text and video, so that I get better at freestyling in all mediums. I know that this can be frustrating to witness, especially if you’re used to seeing high levels of polish in the content you consume. But as Lord Farquaad said, that is a sacrifice I’m willing to make. 😂

We’re approaching the end of this word vomit, and it’s time for me to think about what the seed phrase should be. “Multimedia” is the first word that comes to mind. It feels like it’s been a cliched word for a long time, so much so that nobody really even thinks about what it means. It’s a sort of vague, handwave-y word that’s supposed to mean “Well, all the things. All the media, the multiple types of media, pictures and sound and text and all that”. It feels like we’re all casually multimedia-literate now. Everybody is watching videos and taking photos all the time now, thanks to the ubiquity of our devices. And yet, it feels to me like there’s still room for some bold, daring moves to be made across domains.

Maybe I shouldn’t be too clever about the title. Sometimes the cleverest thing you can do is to simply call it as it is. “The difference between video and text” is better than 95% of titles I could come up with. Though I have to admit that final 5% is an exciting challenge. What would be a better title? Something evocative, something inspiring, something about crossing domains. “The Multimedia Speaker” is kind of clever but also bland. Can I tie it to something pop cultural? A person who speaks multiple languages is called a “polyglot”. How about “in search of polymedia literacy”? Feels a bit pretentious. And it’s not just literacy I’m seeking, but true proficiency. Which is also a diluted word at this point. I think I’ll just phone in the default option, and move on to my next rep.

Originally published at https://visakanv.com/1000/0782-the-difference-between-video-and-text/.

An archive of books and mediareferenced by Visakan Veerasamy

Visa is a prolific consumer of art and media. Over the years, he has referenced, reviewed, and recommended thousands of books, essays, articles, comics, and videos. The Visakanv Megaweb pulls his collection together in one place. Each item carries a link tracing it back to the mention.

About the Megaweb

The Visakanv Megaweb is a public archive of everything Visakan Veerasamy (@visakanv) has put on the internet: a quarter-million tweets, more than a thousand essays and blog posts, hundreds of videos, and the books and media he points to.

Visa has been thinking out loud online since 2008. The result is one of the largest bodies of personal writing on the web, but until now it has lived in scattered places: threads you unroll by hand, blogs on separate platforms, videos spread across years. The Megaweb pulls all of it into one place you can read and search.

What’s inside

The archive is in four parts. The Twitter Archive holds his posts, threads, replies, and quote-tweets. The Writing Archive collects his essays and blogs across three collections. The Video Archive gathers his vlogs, talks, and readings. The Library is everything he points to: the books, essays, articles, and videos he references in his own work.

How it’s organized

Each part is built to be browsed on its own terms. Read a theme from top to bottom, sort by what is most-loved or most-recent, narrow to replies or originals, or search the text directly. Every item keeps a link back to where it came from.

A note on the data

Counts, excerpts, and rankings are drawn from Visa’s public posts. Sourcing and update cadence are still being finalized.

Writer and internet builder, known online as @visakanv. Here are his books, where to support his work, and where to find him.

His books

FAN Friendly Ambitious NerdOn becoming a kinder, bolder, more curious version of yourself.Gumroad →Goodreads →
INT IntrospectAn inward hero’s journey to earn your own trust and self-respect; a remix of Nietzsche, Emerson, Watts, Campbell, and Jung.Gumroad →Goodreads →
An archive of Visakan Veerasamy’s online work.
Set in Fraunces, Geist, and Geist Mono.
Built by Mars Code Factory.
The Twitter ArchiveBest Tweets

Best Tweets

Many tweets from Visa are popular, but some are more popular than others. Browse the 1,000 most-liked top-level posts in Visa’s Twitter archive.

The Twitter ArchiveBest Threads

Best Threads

Visa is known for megathreading, and has written more than 26,000 threads since 2008. Explore his threads, including the longest and most popular. To page through every one, browse the full list →

The Twitter ArchiveLongest Threads

Longest Threads

Visa's biggest megathreads: his longest unbroken sequences, up to 200+ posts. See the best-loved →

204
tweets in the longest thread
7.3
years, longest-running thread
84
tweets, avg. length

The Twitter ArchiveAll Threads

All Threads

Every thread Visa has written: more than 26,000 since 2008. Search the text, narrow by year or length, and sort however you like. See the 1,000 best-loved →

26,381
threads
2021
peak year
102,048
tweets in threads
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Length
Year
Theme
26,422 threads

The Twitter ArchiveAll Tweets

All Tweets

Here is every reply, quote-tweet, thread, and standalone post from Visa’s Twitter archive, more than a quarter-million in all. Retweets aren’t included here. Browse all his retweets →

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Type
Theme
Year
251,277 tweets

Themes

Visa’s tweets have common threads and narrative arcs if you look closely. Explore the themes he’s focused on across his years on Twitter, and the tweets in each.

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36 themes
The Twitter ArchiveRecurring Posts

Recurring Posts

Visa is known for quoting and resharing his own tweets, often to resurface an insight or reinforce an idea. See every time he’s quoted himself or brought an old post back into a conversation.

34,006
self-quotes
13,033
distinct ideas
339
most resurfaced
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Year
Theme
4,874 recurring ideas

Retweets

The accounts and posts Visa amplifies. Not his words, but a record of who and what he has pointed his audience toward over the years. Self-retweets aside, here is everyone he has reshared.

Network

If Twitter is a public town square, Visa is the hyperactive, affable guy who talks to everyone: nearly half his posts (45%) are replies to other people. Below are the 100 accounts he replies to most.

Less a body of work than
a body of conversation

The shape of it

Every post and retweet, sorted not by what it’s about but by what it is.

How the mix shifted

His blend of replies, quotes, posts and retweets as a share of each year. Hover for any year.

Volume over time

Themes

What he posts about most. Toggle to see what actually lands.

His network

The accounts he engages with most. Toggle replies, quote-tweets, or retweets; tap a bar to open the account.

…and the same as a bubble field: the top accounts he replies to and quotes most, sized by how often. Hover or tap a bubble.

Hall of fame

All-time records across the archive.

The record-setting tweets

All of Observations & Humor

Every tweet in Observations & Humor. Search the text or a handle, narrow by date or to replies vs. originals, and sort however you like.

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Year
16,834 tweets
reply312 likes2026-05-22
original2.1K likes2026-05-20
reply84 likes2026-05-19

placeholder copy and data · this same page serves any scope (a theme, an account)

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