VVM The Visakanv Megaweb The Visakanv Megaweb

Welcome to theVisakanv Megaweb

Since 2008, Visa has been thinking out loud on the internet, sharing his ideas with the world. The result: a quarter-million tweets, more than a thousand essays and blog posts, and hundreds of videos. The Visakanv Megaweb collects all of it, plus the books and media Visa keeps recommending, into one archive, organized so you can find your way through. Pick a place to start.

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An archive of Twitter postsby Visakan Veerasamy

Visakan Veerasamy (@visakanv) has been posting on X (formerly Twitter) since 2008, racking up more than a quarter-million posts across dozens of topics. The Visakanv Megaweb organizes them into a single archive you can browse without friction. Explore Visa’s most popular posts, favorite themes, and online network via curated lists. Looking for something specific, or want to browse the archive your way? It’s all here: filters for date, length, and more, plus search across text and handles.

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threads
36
themes

0824: less gnashing / now what

One Million Words · Writing · 2023 · 1.3k words

Stuck in overthinking, he revisits what he truly wants to write and why. He realizes the act of writing itself relieves the knot, and that writing for relief is valid. He commits to publishing something, anything, to break the numbness.

0824 – less gnashing / now what

(originally a substack draft, abandoned)

Alan Watts had a riff that went, “What would you like to do if money was no object? How would you really enjoy spending your life?”

It was his way of getting people to consider what their hearts desired. And right now I find myself needing to revisit that question for myself. Because I’ve spent over a year all cooped up in my head – thinking, reasoning, questioning, interrogating, planning, redteaming. It’s been productive, I think, but the output so far has been unintelligible. I have enough experience as a writer to not second-guess this too much – I trust that it’ll all work out eventually – but it hasn’t yet, so I’m in the unpleasant place. I’ve been in this exact place while working on my book. I feel knotted, spent, psychologically exhausted in a way that I think manifests in my body and expression.

Less gnashing. When I think about “my career”, by which I mean the lifelong span of time I want to spend working on my craft, it’s important to me that I reduce the amount of time I spend writhing and gnashing in the dark place. The way out, I know, is to produce output and share it with people. This attempt at an essay is maybe my 50th attempt at writing something with the hope of publishing something, anything. The first couple of dozen attempts, I do with a lot of hope. But after a couple of dozen more failed attempts, I begin to get despondent, morose. I get numb. And this is a bad sign, because once I am numb I can’t feel for what is good, and once I can’t feel for what is good, my subsequent output cannot be any good. It’s roughly similar to doing physical exercise past the point of exhaustion. Once your form starts to suffer, it’s time to call it a day. Otherwise you’re only going to injure yourself. I think I have a lot of “conditioning” as a writer, such that I’m not going to end up hating writing entirely, but there have certainly been long-ish spells of time where I’ve been put off from writing.

“Where am I going with this?” is a question that just came up for me, which I’m grateful for. It helps me clarify my intent. There are often multiple answers to this question, and the fact that there are multiple answers explains why I’m stuck, knotted, torn. Part of me just wants to publish anything at all. Another part of me wants to publish something “good”. What does good mean, in this context? Well, I want it to be useful to someone. I don’t want to publish something tedious that my readers (and I am my own #1 reader) feel was a waste of time reading. Well, useful how? A piece of writing can be a pleasure to read for its own sake, because of the artful construction of sentences and paragraphs – and part of me wants Voltaic Verses to be a delight to read all the way through. But that alone does not satisfy me. I also want my writing to grasp at something meaningful. I want my writing to move people, to help them with something. To make something click, to resolve some tension somewhere, to offer relief from some burden. And here I have to laugh, and I am grateful for the laughter – look at me, burdened with the self-imposed pressure to relieve other people of their burdens! What a silly guy. Yes, it’s all very silly.

So. I feel a little better already than when I started writing this. And this is what I want to demonstrate, for myself, and for others. That it’s possible. It’s possible to sit down and write and relieve your burdens via writing. I feel a little less tense, I breathe a little deeper and more easily. I’m reminded, in this tiny instance of writing, that I can have fun, that my writing can be consequential. This is part of why I write. I write for relief. I also write for joy, pleasure, communion, curiosity, purpose, glory. But when I am stuck, I write for relief. And when you play a long enough game, you’re going to have to confront all possible emotions, and deal with all manner of problems, including problems you hadn’t anticipated, and problems that you’d much rather not have to face.

“Now what?” is the question that came up next. What does it take for me to feel good about publishing something? I now have the seed of something decent – pointing out the silly paradox of burdens – but that doesn’t feel “complete”. And sure, nothing is ever absolutely complete. I could try and condense all of these paragraphs into say, maybe 5 tweets, and that would have a particular effect. So why write a mid-length essay when you could write a short twitter thread instead? First of all, there is some desire, and that desire does not need explanation, and perhaps cannot truly be explained. But it can be fun and interesting to try to explain the desire, assuming it’s done from a place of gentle curiosity rather than authoritarian demand.

Second – now let’s get into the question itself – every medium has its constraints. Even if you wrote an entire essay on Twitter, you can’t control the fact that people who are on Twitter, are on Twitter. Meaning, they read tweets with the expectation that they are reading tweets. Meaning, it’s unlikely that they’re going to really think very hard about it, really immerse themselves in what you’re saying. Sometimes you get lucky and you hit someone with the right thought in the right way at the right time, and they find themselves pausing to really take in what you’ve said. Wonderful.

But Twitter as a medium is not designed for thoughtful reverence. It’s not! And that’s fine! The best thing about Twitter for me is the high rate of social intercourse – the ability to have dozens of conversations simultaneously, quoting one person at another person, inviting friends from all over the planet to join in, witnessing one person’s thought trigger a cascade of thoughts in another. It’s exhilarating. It’s been one of my favorite things to do, which is why I’ve spent so much of my time and energy doing it these past 5 years. I still intend to do it. Twitter is more madman-coffeehouse than church. And while I have been hungrily getting my fill of frenetic activity, and been rewarded handsomely for it, I have been continually also craving the quiet bliss of the wilderness. I miss being able to really hear myself think, the clarity that comes from total stillness and isolation. Which can be a hard-to-afford luxury in the absolute sense – most of us have bills and obligations and so on – but it can be sought out in little pockets. I could sit by the beach for a day with a notebook and a pen and turn off my phone. I can afford that, yet I haven’t done that in a while. I should do that soon. And that’s something else that I just got out of this piece of writing. By sitting at my computer in front of a blank screen and thinking and writing out loud for a while, I’ve arrived at something that feels obvious.

I took a break here and I don’t mind that I did.

// abandoned

Originally published at https://visakanv.com/1000/0824-less-gnashing-now-what/.

An archive of books and mediareferenced by Visakan Veerasamy

Visa is a prolific consumer of art and media. Over the years, he has referenced, reviewed, and recommended thousands of books, essays, articles, comics, and videos. The Visakanv Megaweb pulls his collection together in one place. Each item carries a link tracing it back to the mention.

About the Megaweb

The Visakanv Megaweb is a public archive of everything Visakan Veerasamy (@visakanv) has put on the internet: a quarter-million tweets, more than a thousand essays and blog posts, hundreds of videos, and the books and media he points to.

Visa has been thinking out loud online since 2008. The result is one of the largest bodies of personal writing on the web, but until now it has lived in scattered places: threads you unroll by hand, blogs on separate platforms, videos spread across years. The Megaweb pulls all of it into one place you can read and search.

What’s inside

The archive is in four parts. The Twitter Archive holds his posts, threads, replies, and quote-tweets. The Writing Archive collects his essays and blogs across three collections. The Video Archive gathers his vlogs, talks, and readings. The Library is everything he points to: the books, essays, articles, and videos he references in his own work.

How it’s organized

Each part is built to be browsed on its own terms. Read a theme from top to bottom, sort by what is most-loved or most-recent, narrow to replies or originals, or search the text directly. Every item keeps a link back to where it came from.

A note on the data

Counts, excerpts, and rankings are drawn from Visa’s public posts. Sourcing and update cadence are still being finalized.

Writer and internet builder, known online as @visakanv. Here are his books, where to support his work, and where to find him.

His books

FAN Friendly Ambitious NerdOn becoming a kinder, bolder, more curious version of yourself.Gumroad →Goodreads →
INT IntrospectAn inward hero’s journey to earn your own trust and self-respect; a remix of Nietzsche, Emerson, Watts, Campbell, and Jung.Gumroad →Goodreads →
An archive of Visakan Veerasamy’s online work.
Set in Fraunces, Geist, and Geist Mono.
Built by Mars Code Factory.
The Twitter ArchiveBest Tweets

Best Tweets

Many tweets from Visa are popular, but some are more popular than others. Browse the 1,000 most-liked top-level posts in Visa’s Twitter archive.

The Twitter ArchiveBest Threads

Best Threads

Visa is known for megathreading, and has written more than 26,000 threads since 2008. Explore his threads, including the longest and most popular. To page through every one, browse the full list →

The Twitter ArchiveLongest Threads

Longest Threads

Visa's biggest megathreads: his longest unbroken sequences, up to 200+ posts. See the best-loved →

204
tweets in the longest thread
7.3
years, longest-running thread
84
tweets, avg. length

The Twitter ArchiveAll Threads

All Threads

Every thread Visa has written: more than 26,000 since 2008. Search the text, narrow by year or length, and sort however you like. See the 1,000 best-loved →

26,381
threads
2021
peak year
102,048
tweets in threads
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Length
Year
Theme
26,422 threads

The Twitter ArchiveAll Tweets

All Tweets

Here is every reply, quote-tweet, thread, and standalone post from Visa’s Twitter archive, more than a quarter-million in all. Retweets aren’t included here. Browse all his retweets →

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Year
251,277 tweets

Themes

Visa’s tweets have common threads and narrative arcs if you look closely. Explore the themes he’s focused on across his years on Twitter, and the tweets in each.

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36 themes
The Twitter ArchiveRecurring Posts

Recurring Posts

Visa is known for quoting and resharing his own tweets, often to resurface an insight or reinforce an idea. See every time he’s quoted himself or brought an old post back into a conversation.

34,006
self-quotes
13,033
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Year
Theme
4,874 recurring ideas

Retweets

The accounts and posts Visa amplifies. Not his words, but a record of who and what he has pointed his audience toward over the years. Self-retweets aside, here is everyone he has reshared.

Network

If Twitter is a public town square, Visa is the hyperactive, affable guy who talks to everyone: nearly half his posts (45%) are replies to other people. Below are the 100 accounts he replies to most.

Less a body of work than
a body of conversation

The shape of it

Every post and retweet, sorted not by what it’s about but by what it is.

How the mix shifted

His blend of replies, quotes, posts and retweets as a share of each year. Hover for any year.

Volume over time

Themes

What he posts about most. Toggle to see what actually lands.

His network

The accounts he engages with most. Toggle replies, quote-tweets, or retweets; tap a bar to open the account.

…and the same as a bubble field: the top accounts he replies to and quotes most, sized by how often. Hover or tap a bubble.

Hall of fame

All-time records across the archive.

The record-setting tweets

All of Observations & Humor

Every tweet in Observations & Humor. Search the text or a handle, narrow by date or to replies vs. originals, and sort however you like.

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16,834 tweets
reply312 likes2026-05-22
original2.1K likes2026-05-20
reply84 likes2026-05-19

placeholder copy and data · this same page serves any scope (a theme, an account)

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