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Since 2008, Visa has been thinking out loud on the internet, sharing his ideas with the world. The result: a quarter-million tweets, more than a thousand essays and blog posts, and hundreds of videos. The Visakanv Megaweb collects all of it, plus the books and media Visa keeps recommending, into one archive, organized so you can find your way through. Pick a place to start.

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An archive of Twitter postsby Visakan Veerasamy

Visakan Veerasamy (@visakanv) has been posting on X (formerly Twitter) since 2008, racking up more than a quarter-million posts across dozens of topics. The Visakanv Megaweb organizes them into a single archive you can browse without friction. Explore Visa’s most popular posts, favorite themes, and online network via curated lists. Looking for something specific, or want to browse the archive your way? It’s all here: filters for date, length, and more, plus search across text and handles.

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0158: Why do anything? The Disneyland Analogy

One Million Words · Life & Meaning · 2014 · 1k words

Life is just a trip: nothing more, nothing less. The goal is to have a genuinely good time you're proud of, clear of identity traps and meaningless distractions.

0158 – Why do anything? The Disneyland Analogy

Wrote this a few weeks ago, just finished it up.

I think one of the simplest and deepest dilemmas that everybody needs to resolve is- why bother doing anything? For some people this isn’t even a question that occurs to them. Others may have really nice answers handed to them that they’re willing to swallow. For the rest of us, it’s not all that easy. Here’s sort of where I am at right now:

Life is a trip, nothing more, nothing less.

You are born- which is itself something spectacularly improbable- you live, and then you die. You’re given the most precious of gifts, but there’s no real rhyme or reason behind it. It’s just something that happened. As far as we know, it’s inevitable that life will eventually be extinguished. All the stars will eventually burn out. Everything that exists will come to an end. “You” and “me” are the briefest of illusions, a fun, odd little accident.

What is to be made of it? We’ve got tickets to this awesome show, which will eventually end.

I used to think it’s possible to come to terms with death by thinking about continuity. Life is a cosmic dance that goes on without you, so do what you can to improve the dance- to prolong it, to strengthen it. Create art that transcends you. Build mutually beneficial relationships that write in the cosmos “we were here; we lived and it was beautiful and glorious.” Live on in each other. But even that will eventually crumble to the inexorable forces of entropy. So living for others, living for the future, those things are a little incomplete.

So I think continuity can’t be the only end goal. What matters is that you have a really good time that you are personally proud of. [1] That’s really the only thing that matters.

What is a life well-lived?

Many of the most illustrious of our predecessors have come to a range of conclusions about that, and their perspectives can be helpful and enriching… but never sufficient. You need to identify what you want to do. What makes you happy. I can only speak for myself.

As a writer I write to fill a void. It’s no different from eating, masturbating, meditating or shooting heroin. Everything is done in the pursuit of pleasure, of relief. This is what it is. Nothing more, nothing less.

One thing I do know- I love writing and having written more than I love not-writing and not-having-written. A day spent writing is, to me, a good day. This compounds, so a week/month/year/life spent writing is superior (for me!) to a life spent not-writing.

Is writing the only thing I want to do? Of course not. Is it the main thing I want to do? For now, yes- but I might change my mind in the future. There may be other things I find more pleasurable, that give me more joy.

The ‘Lofty Ideals’ Identity Performance Trap

What might those things be? How do I find out what they are? I was about to say “so I can suck the marrow out of life”, but I think that’s a little problematic. It’s very easy to fall into the trap of wanting to represent lofty ideals so you can communicate that to others. It’s a kind of projection, a performative construct that can be rather costly to maintain. I think I spent much of my teenage years focused on my performance. That’s where you get things like “I’m a happy-go-lucky guy” or “I’m smart but lazy” or “I didn’t do well because I didn’t study” or “I’m passionate about X.”

These are stories we tell others about ourselves, and also stories we come to believe about ourselves. We then adjust our lives- imperceptibly- to fit these narratives. We get into arguments to maintain the constructs we so meticulously build to represent us. It’s incredibly tiresome. This is why Paul Graham says to keep our identities small, why Buddha taught detachment. It allows us to serve “ourselves” rather than the second-order projected constructed that we don’t actually enjoy.

I realize that it’s very, very easy for me to get caught up in stuff that, in my opinion, doesn’t matter very much. Halfway while writing this I was tempted to check Twitter, and I had to stop because I’ve exceeded my data this month. I very easily get caught up in Facebook discussions, which is why I’ve been experimenting with deactivating my account. I deactivated completely for a few months last year, started again, deactivated again.

For a short period of time after reactivating, it all looked really silly to me- the whole mass panopticon performance. Inevitably though I’d get drawn into participating again. I would feel a little hollow afterwards, the way you might feel after eating a really unhealthy, junky meal. I go to bed with an uneasy feeling- that I had wasted my time, that I was shortchanging myself. It’s like going to a theme park and obsessively playing a little kiddy game until the park closes, and then realising that you missed the awesome ride you had actually intended to go on.

I am tired of that uneasy feeling. I have to stop playing kiddy games because it doesn’t really nourish me.

The analogy can be extended quite a bit. Most of us aren’t aware of the best rides, or we think ourselves somehow incapable or undeserving of them, or we think we wouldn’t be able to stomach it, so we stick to the kiddy rides. To some people, a life of kiddy rides is a simple pleasure, a life well lived. I don’t think that’s the case for me.

Will think more about this later.

Notes:

[1] This can justify some ugly things for people who aren’t neurotypical- what if you get pleasure from harming and exploiting others? That wouldn’t be very nice. I’m not sure how to grapple with that, and honestly I don’t think that’s a problem I’m interested in tackling. I’m unqualified to. If you get pleasure from harming and exploiting others, please seek help. Take time and energy to figure out why you do what you do, and think long and hard about it.

Originally published at https://visakanv.com/1000/0158-why-do-anything-the-disneyland-analogy/.

An archive of books and mediareferenced by Visakan Veerasamy

Visa is a prolific consumer of art and media. Over the years, he has referenced, reviewed, and recommended thousands of books, essays, articles, comics, and videos. The Visakanv Megaweb pulls his collection together in one place. Each item carries a link tracing it back to the mention.

About the Megaweb

The Visakanv Megaweb is a public archive of everything Visakan Veerasamy (@visakanv) has put on the internet: a quarter-million tweets, more than a thousand essays and blog posts, hundreds of videos, and the books and media he points to.

Visa has been thinking out loud online since 2008. The result is one of the largest bodies of personal writing on the web, but until now it has lived in scattered places: threads you unroll by hand, blogs on separate platforms, videos spread across years. The Megaweb pulls all of it into one place you can read and search.

What’s inside

The archive is in four parts. The Twitter Archive holds his posts, threads, replies, and quote-tweets. The Writing Archive collects his essays and blogs across three collections. The Video Archive gathers his vlogs, talks, and readings. The Library is everything he points to: the books, essays, articles, and videos he references in his own work.

How it’s organized

Each part is built to be browsed on its own terms. Read a theme from top to bottom, sort by what is most-loved or most-recent, narrow to replies or originals, or search the text directly. Every item keeps a link back to where it came from.

A note on the data

Counts, excerpts, and rankings are drawn from Visa’s public posts. Sourcing and update cadence are still being finalized.

Writer and internet builder, known online as @visakanv. Here are his books, where to support his work, and where to find him.

His books

FAN Friendly Ambitious NerdOn becoming a kinder, bolder, more curious version of yourself.Gumroad →Goodreads →
INT IntrospectAn inward hero’s journey to earn your own trust and self-respect; a remix of Nietzsche, Emerson, Watts, Campbell, and Jung.Gumroad →Goodreads →
An archive of Visakan Veerasamy’s online work.
Set in Fraunces, Geist, and Geist Mono.
Built by Mars Code Factory.
The Twitter ArchiveBest Tweets

Best Tweets

Many tweets from Visa are popular, but some are more popular than others. Browse the 1,000 most-liked top-level posts in Visa’s Twitter archive.

The Twitter ArchiveBest Threads

Best Threads

Visa is known for megathreading, and has written more than 26,000 threads since 2008. Explore his threads, including the longest and most popular. To page through every one, browse the full list →

The Twitter ArchiveLongest Threads

Longest Threads

Visa's biggest megathreads: his longest unbroken sequences, up to 200+ posts. See the best-loved →

204
tweets in the longest thread
7.3
years, longest-running thread
84
tweets, avg. length

The Twitter ArchiveAll Threads

All Threads

Every thread Visa has written: more than 26,000 since 2008. Search the text, narrow by year or length, and sort however you like. See the 1,000 best-loved →

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26,422 threads

The Twitter ArchiveAll Tweets

All Tweets

Here is every reply, quote-tweet, thread, and standalone post from Visa’s Twitter archive, more than a quarter-million in all. Retweets aren’t included here. Browse all his retweets →

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251,277 tweets

Themes

Visa’s tweets have common threads and narrative arcs if you look closely. Explore the themes he’s focused on across his years on Twitter, and the tweets in each.

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36 themes
The Twitter ArchiveRecurring Posts

Recurring Posts

Visa is known for quoting and resharing his own tweets, often to resurface an insight or reinforce an idea. See every time he’s quoted himself or brought an old post back into a conversation.

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Retweets

The accounts and posts Visa amplifies. Not his words, but a record of who and what he has pointed his audience toward over the years. Self-retweets aside, here is everyone he has reshared.

Network

If Twitter is a public town square, Visa is the hyperactive, affable guy who talks to everyone: nearly half his posts (45%) are replies to other people. Below are the 100 accounts he replies to most.

Less a body of work than
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The shape of it

Every post and retweet, sorted not by what it’s about but by what it is.

How the mix shifted

His blend of replies, quotes, posts and retweets as a share of each year. Hover for any year.

Volume over time

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What he posts about most. Toggle to see what actually lands.

His network

The accounts he engages with most. Toggle replies, quote-tweets, or retweets; tap a bar to open the account.

…and the same as a bubble field: the top accounts he replies to and quotes most, sized by how often. Hover or tap a bubble.

Hall of fame

All-time records across the archive.

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All of Observations & Humor

Every tweet in Observations & Humor. Search the text or a handle, narrow by date or to replies vs. originals, and sort however you like.

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16,834 tweets
reply312 likes2026-05-22
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reply84 likes2026-05-19

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