VVM The Visakanv Megaweb The Visakanv Megaweb

Welcome to theVisakanv Megaweb

Since 2008, Visa has been thinking out loud on the internet, sharing his ideas with the world. The result: a quarter-million tweets, more than a thousand essays and blog posts, and hundreds of videos. The Visakanv Megaweb collects all of it, plus the books and media Visa keeps recommending, into one archive, organized so you can find your way through. Pick a place to start.

262K
tweets
1,251
essays & blogs
459
videos

An archive of Twitter postsby Visakan Veerasamy

Visakan Veerasamy (@visakanv) has been posting on X (formerly Twitter) since 2008, racking up more than a quarter-million posts across dozens of topics. The Visakanv Megaweb organizes them into a single archive you can browse without friction. Explore Visa’s most popular posts, favorite themes, and online network via curated lists. Looking for something specific, or want to browse the archive your way? It’s all here: filters for date, length, and more, plus search across text and handles.

262K
tweets
26K+
threads
36
themes

0455: the joy of working with constraints

One Million Words · Life & Meaning · 2015 · 1.3k words

Constraints, death, time, daily limits, aren't just burdens. This piece meditates on how working within them can generate joy, meaning, and beauty. The ultimate constraint is mortality, and learning to live with it is the work of a life.

0455 – the joy of working with constraints

I’ll start by refuting the very premise that I want to meditate on. Constraints can be cruel, arbitrary, stupid, unfair, unkind, damaging, crushing, painful, horrifying. The idea of wishing constraints on somebody (apart from unique situations where it would be obviously beneficial) generally seems like a hateful thing to do. And the idea of wishing constraints on yourself… seems like some sort of bizarre self-flagellation, or perhaps a manifestation of guilt, from enjoying privileges that others don’t have, and squandering them.

I’ve also often thought that we romanticize death because we don’t know how to stop it or fix it. As Asimov demonstrated with The Last Question, even if we figure out how to immortalize ourselves, we aren’t likely to figure out how to immortalize the Universe that we live in. We don’t know how to reverse entropy in the absolute sense– the Universe will die. Everything will end, as far as we can tell. So we romanticize it, with statements like “Death is the greatest invention of Life”. And there are all these interesting, nuanced points to be made– “so long as men die, liberty will never perish”, Charlie Chaplin said in his monologue in The Dictator. And Steve Jobs said, in his commencement speech,

“Remembering that I’ll be dead soon is the most important tool I’ve ever encountered to help me make the big choices in life. Because almost everything — all external expectations, all pride, all fear of embarrassment or failure — these things just fall away in the face of death, leaving only what is truly important. Remembering that you are going to die is the best way I know to avoid the trap of thinking you have something to lose. You are already naked. There is no reason not to follow your heart.”

And he goes on to say…

“No one wants to die. Even people who want to go to heaven don’t want to die to get there. And yet death is the destination we all share. No one has ever escaped it. And that is as it should be, because Death is very likely the single best invention of Life. It is Life’s change agent. It clears out the old to make way for the new. Right now the new is you, but someday not too long from now, you will gradually become the old and be cleared away. Sorry to be so dramatic, but it is quite true.”

I’m inclined to agree, though I wonder if we’d change our minds if we could actually escape death (if that statement were ever meaningful).

So it feels here like there are two sets of considerations– how to live knowing that we will die, and what to think about death if it were something that could be solvable (it doesn’t seem completely implausible, at least, compared to things like time travel).

I guess for the context of this vomit I’ll begin with the assumption that we have no choice but to die– it’s the likeliest outcome, so it’s worth preparing for. Death is the ultimate constraint, and we have to learn to live with it. If we are to experience joy, we are to experience it within the context of a looming death. That’s the big picture.

I wanted to think more about the little pictures though. Day to day life. Of living with constraints and working with them. In the context of these word vomits, I’m choosing to constrain myself to writing 1000 sets of 1000 words, just because. It won’t matter in the grand scheme of things, and it probably won’t matter even in relatively smaller schemes of things, but it’s something I’d like to do. It’s a self-imposed constraint. But it feels like a constraint that will allow me to push myself further as a writer, to challenge myself, to grow and learn. And that’s a sort of joy.

Beyond the constraint of the word vomit project itself, I have the constraints of everyday life. I have work to do, and my to-do list is effectively infinite. I think everybody’s is. The list of books I want to read. The list of movies I want to watch. The list of people I want to meet and have conversations with and spend evenings with. All of these lists are infinite, and I’m constrained by the fact that I have 24 hours in a day, and some number of years left before I die.

If there is to be joy, it needs to be found within constraints. Despite constraints. And perhaps… FROM constraints. I’m just feeling that right now in this moment, even if it seems silly.

I wouldn’t wish damaging, hurtful constraints upon myself or anybody else. I don’t want to suffer crippling pain or loss, and I don’t want to have to go through those things in order to experience a more exalted existence. Though I think it’s definitely worth recognizing that people who experience pain, hardship, difficulty, etc do seem to do just that. There’s selection and survivor bias, of course. It seems probable that most people who experience ridiculous pain go on to perish or suffer immeasurably with nothing beautiful to show for it. It’s a small subset of people who thrive under that pressure and produce diamonds, and I’m not sure if the literature/evidence suggests that that’s a possibility open to everybody.

I must admit I do sometimes fantasize about experiencing some sort of crushing, painful loss. I do it as a sort of… thought experiment. I think about the deaths of my loved ones. I imagine getting into a car accident and being crushingly paralysed, disfigured, and so on. What will I do after that? If I can write, I think I’ll still write.

This whole thing got a little more dramatic than I wanted to go, but I’ll just go with the flow. I wanted to think about how… it often seems like we’ve been conditioned to live without properly recognizing or acknowledging the constraints that are already all around us.

I was thinking for a long time, why is it that so few startups or businesses etc seem to grasp the importance of solving one very, very specific problem very well? Why are so many people tempted to write business plans that are overly vague and generic, that claim to do all sorts of things? Why do we write that way in general?

My guess is that we were trained to do so in school. Teachers aren’t allowed to say, “write something that’s really moving and compelling, something that you really believe to be true.” That’s what people like Hemingway say, and they figure that out, probably, because they’ve been working at the boundaries.

Yeah, that’s my question– why is so much of everything so shitty? I think it’s because people look at the world with the wrong lens. And to go back to Jobs’s Harvard commencement speech– it’s obvious that he wrote those things at least partially because he wanted to tell a great story about himself and his life. It’s an exercise in mythbuilding. But the central idea– that he thought he was going to die, and he wanted to do something meaningful within that constraint– I think that’s quite legitimate.

I think beautiful things happen because people are mindful of constraints. We write better when we realize that readers are busy and impatient. We live better when we know we’re going to die. Maybe that’s why there are stories about angels and elves and heavenly beings etc being envious of man, who seems to live so intensely (at least, some of them do). If you’d live forever, you’d never really have a reason to do anything NOW.

Originally published at https://visakanv.com/1000/0455-the-joy-of-working-with-constraints/.

An archive of books and mediareferenced by Visakan Veerasamy

Visa is a prolific consumer of art and media. Over the years, he has referenced, reviewed, and recommended thousands of books, essays, articles, comics, and videos. The Visakanv Megaweb pulls his collection together in one place. Each item carries a link tracing it back to the mention.

About the Megaweb

The Visakanv Megaweb is a public archive of everything Visakan Veerasamy (@visakanv) has put on the internet: a quarter-million tweets, more than a thousand essays and blog posts, hundreds of videos, and the books and media he points to.

Visa has been thinking out loud online since 2008. The result is one of the largest bodies of personal writing on the web, but until now it has lived in scattered places: threads you unroll by hand, blogs on separate platforms, videos spread across years. The Megaweb pulls all of it into one place you can read and search.

What’s inside

The archive is in four parts. The Twitter Archive holds his posts, threads, replies, and quote-tweets. The Writing Archive collects his essays and blogs across three collections. The Video Archive gathers his vlogs, talks, and readings. The Library is everything he points to: the books, essays, articles, and videos he references in his own work.

How it’s organized

Each part is built to be browsed on its own terms. Read a theme from top to bottom, sort by what is most-loved or most-recent, narrow to replies or originals, or search the text directly. Every item keeps a link back to where it came from.

A note on the data

Counts, excerpts, and rankings are drawn from Visa’s public posts. Sourcing and update cadence are still being finalized.

Writer and internet builder, known online as @visakanv. Here are his books, where to support his work, and where to find him.

His books

FAN Friendly Ambitious NerdOn becoming a kinder, bolder, more curious version of yourself.Gumroad →Goodreads →
INT IntrospectAn inward hero’s journey to earn your own trust and self-respect; a remix of Nietzsche, Emerson, Watts, Campbell, and Jung.Gumroad →Goodreads →
An archive of Visakan Veerasamy’s online work.
Set in Fraunces, Geist, and Geist Mono.
Built by Mars Code Factory.
The Twitter ArchiveBest Tweets

Best Tweets

Many tweets from Visa are popular, but some are more popular than others. Browse the 1,000 most-liked top-level posts in Visa’s Twitter archive.

The Twitter ArchiveBest Threads

Best Threads

Visa is known for megathreading, and has written more than 26,000 threads since 2008. Explore his threads, including the longest and most popular. To page through every one, browse the full list →

The Twitter ArchiveLongest Threads

Longest Threads

Visa's biggest megathreads: his longest unbroken sequences, up to 200+ posts. See the best-loved →

204
tweets in the longest thread
7.3
years, longest-running thread
84
tweets, avg. length

The Twitter ArchiveAll Threads

All Threads

Every thread Visa has written: more than 26,000 since 2008. Search the text, narrow by year or length, and sort however you like. See the 1,000 best-loved →

26,381
threads
2021
peak year
102,048
tweets in threads
Search
Length
Year
Theme
26,422 threads

The Twitter ArchiveAll Tweets

All Tweets

Here is every reply, quote-tweet, thread, and standalone post from Visa’s Twitter archive, more than a quarter-million in all. Retweets aren’t included here. Browse all his retweets →

Search
Type
Theme
Year
251,277 tweets

Themes

Visa’s tweets have common threads and narrative arcs if you look closely. Explore the themes he’s focused on across his years on Twitter, and the tweets in each.

Search
36 themes
The Twitter ArchiveRecurring Posts

Recurring Posts

Visa is known for quoting and resharing his own tweets, often to resurface an insight or reinforce an idea. See every time he’s quoted himself or brought an old post back into a conversation.

34,006
self-quotes
13,033
distinct ideas
339
most resurfaced
Search
Year
Theme
4,874 recurring ideas

Retweets

The accounts and posts Visa amplifies. Not his words, but a record of who and what he has pointed his audience toward over the years. Self-retweets aside, here is everyone he has reshared.

Network

If Twitter is a public town square, Visa is the hyperactive, affable guy who talks to everyone: nearly half his posts (45%) are replies to other people. Below are the 100 accounts he replies to most.

Less a body of work than
a body of conversation

The shape of it

Every post and retweet, sorted not by what it’s about but by what it is.

How the mix shifted

His blend of replies, quotes, posts and retweets as a share of each year. Hover for any year.

Volume over time

Themes

What he posts about most. Toggle to see what actually lands.

His network

The accounts he engages with most. Toggle replies, quote-tweets, or retweets; tap a bar to open the account.

…and the same as a bubble field: the top accounts he replies to and quotes most, sized by how often. Hover or tap a bubble.

Hall of fame

All-time records across the archive.

The record-setting tweets

All of Observations & Humor

Every tweet in Observations & Humor. Search the text or a handle, narrow by date or to replies vs. originals, and sort however you like.

Search
Type
Year
16,834 tweets
reply312 likes2026-05-22
original2.1K likes2026-05-20
reply84 likes2026-05-19

placeholder copy and data · this same page serves any scope (a theme, an account)

Search
Year
Datesto

Your bookmarks