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Welcome to theVisakanv Megaweb

Since 2008, Visa has been thinking out loud on the internet, sharing his ideas with the world. The result: a quarter-million tweets, more than a thousand essays and blog posts, and hundreds of videos. The Visakanv Megaweb collects all of it, plus the books and media Visa keeps recommending, into one archive, organized so you can find your way through. Pick a place to start.

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An archive of Twitter postsby Visakan Veerasamy

Visakan Veerasamy (@visakanv) has been posting on X (formerly Twitter) since 2008, racking up more than a quarter-million posts across dozens of topics. The Visakanv Megaweb organizes them into a single archive you can browse without friction. Explore Visa’s most popular posts, favorite themes, and online network via curated lists. Looking for something specific, or want to browse the archive your way? It’s all here: filters for date, length, and more, plus search across text and handles.

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0541: forgotten gods

One Million Words · Sociocultural Commentary · 2016 · 1k words

Our gods are shaped by the attention and technology of their time: ancient villages worshipped sun and moon; we now pray to WiFi and battery. Belief evolves with context, and forgotten gods remind us what we pay attention to.

0541 – forgotten gods

Questions:

  • there’s a relationship between the ‘power’ of a god and how/why people believe in it (consider how greek myths are fairy tales now, but people kill over X today– what makes a religion decay?)
  • why did people believe what they believe?
  • what are the contexts that shaped those beliefs?
  • how do the beliefs change when the contexts change?
  • what do we believe now?

Being born into modern civilisation means beginning  in the middle of a story, like a dream. night colors sound sugar supermarkets subways radio tv smartphones wifi bluetooth imax films snapchat emojis concerts festivals clubs sensory overload tinder supernormal stimuli.

return to a village. dusty dirt trails goats cows chickens dogs fish & meet sold in the open flies everywhere. blazing sun, dust in your eyes and mouth everywhere. the water isn’t clean enough to wash it off.

nature was the first god; the sun and the moon. in the absence of artificial light the moon is a gleaming orb of mystical beauty. soundtrack of insects and animals. sunrises and sunsets are spectacular. darkness is incredibly prohibitive. lightning is terrifying, literally AWEsome with a capital A.

Temples start to make sense in such a context. The promethean power of fire is easy to forget in modern contexts, modern life. It is at the heart of religious ceremonies (and barbecues). Light and color, music and spectacles. The moon would’ve actually affected people’s behaviour and lives back then. Modern loose corollary might be wifi and battery life. Power sockets. In a sense, these are our idols now– we beg and pray for them to bestow connectivity to us.

Electricity. Mud huts, attar huts, bricks, wells. My grandfather’s village lies on a point between the past and the present. The local temple is the village equivalent of times square. Massive chariot for people to carry the stone idols of their gods around the city.

(The bible was the first mainstream book).

Shops selling shoes and clothes are a huge deal. (McDonald’s was once a status symbol, kind of the way hipster cafes might be today…?)

Bollywood movies make much more sense once you’ve lived in an indian village. Colours and dance.

Constant smell of dust and dung, dingy drains and dirty dogs. Where would you start cleaning up? it isn’t dirty or disgusting to them, it’s simply how life is. And in a sense we are the paranoid ones, antiseptic and alien, fat from sugar, muscles atrophied, bodies bent over desks. Old indian ladies carry heavy loads on their spines, backs strong and taut.

Barefoot children playing in the streets. India is too big to be orderly at our present levels of technology, and in any realistically imaginable sense. (That said, tech evolves faster than the magic of our imaginations… so I’m not going to write off our imagination.) Orderliness is a sort of OCD-ish game that some of us play, that most people in the world actually don’t have time to bother with. Dodging goats and chickens on the way to work or school, hardly anybody wears a helmet. In the news, people are murdered and kidnapped and raped and horrible things happen all the time, such is the law of large numbers.

But technology has found its way into these spaces. It’s always tempting and easy to talk about these places as backwards and/or lacking, but they’re hackers. They improvise. They meddle and tinker and repair. They crowd around lights at night. Their vehicles often play music when reversing, and are colourfully decorated. Houses are painted in delightful shades of teal, pink, green and so on. Gold jewellery. WhatsApp on TV.

Kumar, 21, drives, climbs things. Knows his fruits and berries, knows a tailor, knows his town inside out. He is a master of his domain to a degree that I am not a master of mine; my spaces have been created for me to a much greater degree than his.

Food place– some are remarkably clean, workers are polite and attentive, dressed sharply.

Long dusty roads. I know there are intellectuals, rock musicians, poets, dancers, yogis, terrible things like rapists, yet mathematicians and rocket scientists and and ganja-smokin sadhus.

(Suddenly remembered the game Breath of fire– Gods get their power from people who believe in them. Wifi router as the modern altar).

Things get bigger, louder, shinier, more addictive than our old gods which now seem primitive and quaint in comparison. A comic book hero like superman can challenge and inspire us with the complexities of modern life, in a way that the ancient gods aren’t quite able to adopt to.

(add more about TV, HBO movies, radio, the experience of indian cinema)

What about the huge temples? Tirupathi’s Venkateswara, Rameswaram’s 24 Wells, Madurai’s Meenakshi (SO FUCKING EPIC. Makes the biggest temples in Singapore look like tiny shrines. Holy shit. Hundreds (thousands?!) of years old, 64 kings passing the baton from one to another. Elaborate systems emerge and assemble to manage throngs of people, funnelled along like electrons in a circuit, cells in a greater body, reverberating and echoing through the hallowed halls.

Our gods are a function of the loving, fearful attention we pay to them, and that in turn is a function of the technology and context that we are born into and operate in. No matter how hard I try to grasp for God, my search will never yield to me what God meant (and continues to mean) to villagers and xyz peeps.

In a sense, loosely sketching, we are the gods now. Or to be more precise, the relationship between man and “God” has changed, where “God” represents everything that man is not. Nature. Power. The infinite. The unknown. The sun and moon aren’t worshipped so much anymore these days, and Zeus and his lightning bolts are managed with an understanding of electromagnetism, conducting rods and so on. It’s telling– when do we fall to our knees and pray, in the modern world? When we’re confronted with immeasurable pain, sadness, grief, anguish. Suffering.

Gods have been forgotten and gods will continue to be forgotten, but as long as the infinite and unknown feature in our lives, gods will continue to be enshrined and lovingly tended to.

Originally published at https://visakanv.com/1000/0541-forgotten-gods/.

An archive of books and mediareferenced by Visakan Veerasamy

Visa is a prolific consumer of art and media. Over the years, he has referenced, reviewed, and recommended thousands of books, essays, articles, comics, and videos. The Visakanv Megaweb pulls his collection together in one place. Each item carries a link tracing it back to the mention.

About the Megaweb

The Visakanv Megaweb is a public archive of everything Visakan Veerasamy (@visakanv) has put on the internet: a quarter-million tweets, more than a thousand essays and blog posts, hundreds of videos, and the books and media he points to.

Visa has been thinking out loud online since 2008. The result is one of the largest bodies of personal writing on the web, but until now it has lived in scattered places: threads you unroll by hand, blogs on separate platforms, videos spread across years. The Megaweb pulls all of it into one place you can read and search.

What’s inside

The archive is in four parts. The Twitter Archive holds his posts, threads, replies, and quote-tweets. The Writing Archive collects his essays and blogs across three collections. The Video Archive gathers his vlogs, talks, and readings. The Library is everything he points to: the books, essays, articles, and videos he references in his own work.

How it’s organized

Each part is built to be browsed on its own terms. Read a theme from top to bottom, sort by what is most-loved or most-recent, narrow to replies or originals, or search the text directly. Every item keeps a link back to where it came from.

A note on the data

Counts, excerpts, and rankings are drawn from Visa’s public posts. Sourcing and update cadence are still being finalized.

Writer and internet builder, known online as @visakanv. Here are his books, where to support his work, and where to find him.

His books

FAN Friendly Ambitious NerdOn becoming a kinder, bolder, more curious version of yourself.Gumroad →Goodreads →
INT IntrospectAn inward hero’s journey to earn your own trust and self-respect; a remix of Nietzsche, Emerson, Watts, Campbell, and Jung.Gumroad →Goodreads →
An archive of Visakan Veerasamy’s online work.
Set in Fraunces, Geist, and Geist Mono.
Built by Mars Code Factory.
The Twitter ArchiveBest Tweets

Best Tweets

Many tweets from Visa are popular, but some are more popular than others. Browse the 1,000 most-liked top-level posts in Visa’s Twitter archive.

The Twitter ArchiveBest Threads

Best Threads

Visa is known for megathreading, and has written more than 26,000 threads since 2008. Explore his threads, including the longest and most popular. To page through every one, browse the full list →

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Longest Threads

Visa's biggest megathreads: his longest unbroken sequences, up to 200+ posts. See the best-loved →

204
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The Twitter ArchiveAll Threads

All Threads

Every thread Visa has written: more than 26,000 since 2008. Search the text, narrow by year or length, and sort however you like. See the 1,000 best-loved →

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The Twitter ArchiveAll Tweets

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Here is every reply, quote-tweet, thread, and standalone post from Visa’s Twitter archive, more than a quarter-million in all. Retweets aren’t included here. Browse all his retweets →

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Themes

Visa’s tweets have common threads and narrative arcs if you look closely. Explore the themes he’s focused on across his years on Twitter, and the tweets in each.

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The Twitter ArchiveRecurring Posts

Recurring Posts

Visa is known for quoting and resharing his own tweets, often to resurface an insight or reinforce an idea. See every time he’s quoted himself or brought an old post back into a conversation.

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The accounts and posts Visa amplifies. Not his words, but a record of who and what he has pointed his audience toward over the years. Self-retweets aside, here is everyone he has reshared.

Network

If Twitter is a public town square, Visa is the hyperactive, affable guy who talks to everyone: nearly half his posts (45%) are replies to other people. Below are the 100 accounts he replies to most.

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How the mix shifted

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All of Observations & Humor

Every tweet in Observations & Humor. Search the text or a handle, narrow by date or to replies vs. originals, and sort however you like.

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