VVM The Visakanv Megaweb The Visakanv Megaweb

Welcome to theVisakanv Megaweb

Since 2008, Visa has been thinking out loud on the internet, sharing his ideas with the world. The result: a quarter-million tweets, more than a thousand essays and blog posts, and hundreds of videos. The Visakanv Megaweb collects all of it, plus the books and media Visa keeps recommending, into one archive, organized so you can find your way through. Pick a place to start.

262K
tweets
1,251
essays & blogs
459
videos

An archive of Twitter postsby Visakan Veerasamy

Visakan Veerasamy (@visakanv) has been posting on X (formerly Twitter) since 2008, racking up more than a quarter-million posts across dozens of topics. The Visakanv Megaweb organizes them into a single archive you can browse without friction. Explore Visa’s most popular posts, favorite themes, and online network via curated lists. Looking for something specific, or want to browse the archive your way? It’s all here: filters for date, length, and more, plus search across text and handles.

262K
tweets
26K+
threads
36
themes

0719 + 0720: reconceptualizing my audience

One Million Words · Writing · 2018 · 2.2k words

Reflecting on his writing journey, Visa realizes his audience has shifted from local to global. He must now define who he writes for, balancing personal expression with making a living.

0719 + 0720 – reconceptualizing my audience

When I started this word vomit project, I didn’t have any particular audience in mind. A part of me told myself that I was writing “for myself”. Which is a partial truth. Almost everything I write is for myself. I’ve written for pay before, but even in that, I often make decisions shaped by my taste. But there’s a whole other side to that, which is what I want to explore in this vomit.

The word vomit project was started partially in response to my frustration with my experience blogging in 2012, 2013. I felt like I had boxed myself in, that my writing had become something formulaic. I was particularly writing a lot of ‘sociopolitical commentary’ – writing about local news, writing about local politics. How did I end up doing that? Maybe let’s start at the beginning.

I think I can say that my first website was “well and truly for myself”, in the sense that it didn’t even really occur to me to think about what an audience was, or who I was making things for, or who I was trying to reach. I just wanted to have a website because websites were cool. I wrote out my favorite jokes because… they were my favorite jokes. I was proud to share my website with anybody who was interested, but I didn’t particularly have any sort of “marketing effort” in mind. I did participate in online forums – mostly about video games, sometimes about things like martial arts. But it didn’t occur to me that I could… write things with the intent of sharing them with an existing audience somewhere else.

When I was in around 10 years old, I discovered that some of my schoolmates had blogs. It seemed very natural for me to start one too and redirect my writing there. My blog from that titme, visakanv.diary-x.com, was lost in a server crash – which is very upsetting for me, because there was a lot of stuff there and I can’t remember what it was about. I can look for little snippets of it in archive.org – it looks like I was writing about my day-to-day life, what I was doing, what I was thinking. Things like “Winamp is better than Windows Media Player”, “I’m thinking of waking up early and going for a run before school starts”, and how I loved Radiohead. I had links to my friends’ blogs in the sidebar, so I think this was sort of like an early proto-Facebook – a way for us to update each other on what was going on with our lives. It was very personal and intimate, a sort of writing I think that not many people do publicly any more, because social media has become such a panopticon. I suppose it’s what people do on their private instagrams and over texts with friends and so on.

When I was on Livejournal, I stumbled upon a local livejournal community called “sg_ljrs” – and I submitted a post about how I wished Singaporeans were more gracious and kind to each other. It received like 15 comments from strangers, which was exhilarating for me. It made me want to do more of it. One thing led to another, and I found myself writing the “sociopolitical commentary” I talked about earlier.

I also remember – when I was doing my National Service as a military conscript – I was eager to “become a blogger”. I was motivated by people like Tim Ferriss and other professional-seeming bloggers who had large followings and seemed to make a living from writing. I wanted that. I remember for one of my birthdays – 20th or 21st – my friends chipped in to buy me a Starbucks gift card, so that I could take my laptop to Starbucks and get some writing done there. I was so grateful for it, it felt like a sign from the universe that that was what I was supposed to be doing. A while after that I would get invited to the Istana to meet Singapore’s Prime Minister, along with a handful of other bloggers. It was a case of being in the right place at the right time, maybe – PM wanted to get a better sense of what was going on with ‘the blogosphere’, and I happened to be around. But it felt like something. It was feedback from the world, and it seemed to be telling me that this was what I was supposed to be doing. (Another blogger quoted this bit from my blogpost and pointed out that that’s how the establishment gets ya, they bribe you with status and recognition. And… that’s true, I have to admit. Seeing)

At some point I started to post answers on Quora, and for some reason I managed to get some upvotes and popularity. They rewarded me with the status of “Quora Top Writer” – which was a very big deal to me then. It felt like international recognition and support. It expanded my concept of who I was as a writer, and who my audience was. I was writing for everybody now – where “everybody” in this case is still, well. Quora users. People who liked clever, intelligent-sounding things.

Eventually Quora started to kinda get not-so-fun. Blogging about local politics became less interesting and important, particularly now that you could expect pretty good commentary on Facebook. I’ve written a few Facebook essays here and there, but I haven’t felt a strong impulse to do that in quite some time. Somehow, I’ve become a heavy Twitter user. I have lots of good and interesting threads. My Twitter following was growing slowly and steadily in the 100s over the first few years – I remember when I started work, my company Twitter had fewer followers than I did – something like 400-600, and I had about 600-800. I grew that company Twitter to have more followers than I did, over 2,400 or so. I don’t remember when my personal Twitter crossed 1,000 followers – seems like around September 2014 – and now it’s at over 6,500. Twitter is now my favorite “thing to do”, my favorite way to pass the time – asking people questions, getting answers, thinking out loud in real time.

What’s interesting is – when I started out on Twitter, it was similar to blogging – my handful of followers were mostly people who I knew from real life, and we were mostly tweeting about our day to day lives, and occasionally talking about the news, things like that. I find it interesting that my early Twitter was particularly “Singaporean’. My Singaporean followers are now probably the smallest bloc in my Twitter audience. Most of them are American. I have some followers from Africa (Kenya, Nigeria), some from Mexico, quite a few from India, some from around Europe. This is what I really want to talk about: this interesting, diverse following has made me rethink, re-examine and re-conceptualize my “audience”. And by extension, it’s changing how I’m thinking about what I’m writing, and who I’m writing it for. I could say simplistically “I’m writing for my Twitter”… but that itself is something that has changed in meaning over time.

I suppose the final desired end state might be something like “I’m just writing whatever I feel like”, “I’m writing for me”, “I’m writing for everyone”. But that doesn’t say anything and it isn’t very interesting. Getting to that state requires identifying a path from here to there. And “here” is – I’m writing for the people who are currently subscribed to my feed, currently following me. Interestingly I have like 90 people following my @1000wordvomits account, and 116 people following my Tinyletter. None of them are paying me for it yet.

I say that because that’s another constraint to consider. I want to be able to make a living with my writing, and/or not have to worry about money. I’m currently living on my savings from 5.5 years of work, and… I’d like to not have to work another 5.5 years just to earn another 6 months or so of free time to write. That sounds like an exhausting and limited life. I’ve been coasting for 3 months, resting and recooperating, and it’s time for me to start writing heavily and finding ways to make money from my writing. I may have to get a job at some point, and I am okay with that – but part of the long game here is that I want my writing to be valuable in the marketplace. It could be that I might have to make my money from selling some sort of products or ideas or productized ideas of some sort. I’m okay with that, too. I don’t have a super precise idea of what’s next, or exactly how I want to make my money. But these are the sort of broad guidelines.

So… I’m here now. What’s the game? What’s the audience I’m going to define for myself, and work on? I’ve been thinking of writing about diaspora issues. One of the interesting things about Twitter has been finding diaspora Indians all around the world. I feel like we’re this loosely knit global community, with our own issues, our own perspectives, our own complicated caught-in-between culture, and there’s a lot of work that we need done to help us figure out our place in the world, our identities. I’m thinking of writing books about this, I have a couple of novel ideas. That’s one front I’d have to articulate and define.

I feel like I’ve said a lot of things in this vomit but I haven’t gotten very much closer to my goal – which is to define my audience. Conceptualize my audience.

I suppose there are a few moving parts:

  • people who are interested in reading what I have to say
  • people who will share my work with others
  • people who will pay for my work

If I optimized relentlessly for just the second, I could end up becoming a sort of one-man clickbait factory. Which I have some experience doing, with local Singaporean issues.

Oh, a thought I wanted to include – it’s funny and interesting how I have sort of become the “if you go to Singapore, you should visit @visakanv” guy on the… rational/intellectual twitterweb. I don’t know if there’s a proper name, but there’s a community. I think I discovered them via ribbonfarm – this group of 100 or so people who have similar-ish interests and have interesting discussions with one another. A lot of them seem to be based in California, which is why I’m considering paying a visit to get to know them better. But I would I like to be a significant member of that community? Not particularly. It’s better than the arbitrary set of people I call friends – ie the people who I grew up with – but it’s not who I’d want to end with. I really have to define my audience. And I have to be careful what I wish for, because… it’s possible to have an audience limit and pigeonhole you. Or you do it yourself, when granted one. I don’t want to do that. When I tweeted a string of pics from /r/aboringdystopia, I got over 3,000 new twitter followers almost overnight. And I’m pretty glad with myself for how I handled it – I very determinedly did NOT want to become “The Boring Dystopia Guy”. But so… what am I?

I’ve been asking around on Twitter, and I’ve gotten responses like…

“you are one of the go to people on twitter for me as a pio in diaspora trying to understand their colonized self and express through fog of modernity”
“a nerdy excited perspective of the world”
“you make me think, and you make me laugh. you’re unpretentious imho”
“somewhere close to ribbonfarm, but with topics that have more to do with actions people can take”
“love seeing your twitter threads – something for every mood”
“you entertain so well too. I’ve spent hours going over your Twitter timeline. since you also make me think, it’s not just killing time and feels like edutainment”
“good storyteller – there’s a progression throughout your twitter threads that’s more than just aggregating relevant tweets”
“For me, your best work is when youre challenging the idea of “normal” – which is really a bunch of concepts and constructs defined by WASPs in the 20th century that we are all just now collectively waking up to. Not in an antagonistic way (“WASPs are evil”) but in the much more productive, “hey there are many awesome perspectives and we should all learn to appreciate them because doing so makes us all better off””

I’m thinking now about what else I’ve said that are guiding principles for how I tweet, and how there would be overlaps between that and how I write. I tweet wanting to make friends, not enemies. I want to reach out to people and demonstrate that there is “a better way”. I am now very sleepy and going to publish this.

Originally published at https://visakanv.com/1000/0719-0720-reconceptualizing-my-audience/.

An archive of books and mediareferenced by Visakan Veerasamy

Visa is a prolific consumer of art and media. Over the years, he has referenced, reviewed, and recommended thousands of books, essays, articles, comics, and videos. The Visakanv Megaweb pulls his collection together in one place. Each item carries a link tracing it back to the mention.

About the Megaweb

The Visakanv Megaweb is a public archive of everything Visakan Veerasamy (@visakanv) has put on the internet: a quarter-million tweets, more than a thousand essays and blog posts, hundreds of videos, and the books and media he points to.

Visa has been thinking out loud online since 2008. The result is one of the largest bodies of personal writing on the web, but until now it has lived in scattered places: threads you unroll by hand, blogs on separate platforms, videos spread across years. The Megaweb pulls all of it into one place you can read and search.

What’s inside

The archive is in four parts. The Twitter Archive holds his posts, threads, replies, and quote-tweets. The Writing Archive collects his essays and blogs across three collections. The Video Archive gathers his vlogs, talks, and readings. The Library is everything he points to: the books, essays, articles, and videos he references in his own work.

How it’s organized

Each part is built to be browsed on its own terms. Read a theme from top to bottom, sort by what is most-loved or most-recent, narrow to replies or originals, or search the text directly. Every item keeps a link back to where it came from.

A note on the data

Counts, excerpts, and rankings are drawn from Visa’s public posts. Sourcing and update cadence are still being finalized.

Writer and internet builder, known online as @visakanv. Here are his books, where to support his work, and where to find him.

His books

FAN Friendly Ambitious NerdOn becoming a kinder, bolder, more curious version of yourself.Gumroad →Goodreads →
INT IntrospectAn inward hero’s journey to earn your own trust and self-respect; a remix of Nietzsche, Emerson, Watts, Campbell, and Jung.Gumroad →Goodreads →
An archive of Visakan Veerasamy’s online work.
Set in Fraunces, Geist, and Geist Mono.
Built by Mars Code Factory.
The Twitter ArchiveBest Tweets

Best Tweets

Many tweets from Visa are popular, but some are more popular than others. Browse the 1,000 most-liked top-level posts in Visa’s Twitter archive.

The Twitter ArchiveBest Threads

Best Threads

Visa is known for megathreading, and has written more than 26,000 threads since 2008. Explore his threads, including the longest and most popular. To page through every one, browse the full list →

The Twitter ArchiveLongest Threads

Longest Threads

Visa's biggest megathreads: his longest unbroken sequences, up to 200+ posts. See the best-loved →

204
tweets in the longest thread
7.3
years, longest-running thread
84
tweets, avg. length

The Twitter ArchiveAll Threads

All Threads

Every thread Visa has written: more than 26,000 since 2008. Search the text, narrow by year or length, and sort however you like. See the 1,000 best-loved →

26,381
threads
2021
peak year
102,048
tweets in threads
Search
Length
Year
Theme
26,422 threads

The Twitter ArchiveAll Tweets

All Tweets

Here is every reply, quote-tweet, thread, and standalone post from Visa’s Twitter archive, more than a quarter-million in all. Retweets aren’t included here. Browse all his retweets →

Search
Type
Theme
Year
251,277 tweets

Themes

Visa’s tweets have common threads and narrative arcs if you look closely. Explore the themes he’s focused on across his years on Twitter, and the tweets in each.

Search
36 themes
The Twitter ArchiveRecurring Posts

Recurring Posts

Visa is known for quoting and resharing his own tweets, often to resurface an insight or reinforce an idea. See every time he’s quoted himself or brought an old post back into a conversation.

34,006
self-quotes
13,033
distinct ideas
339
most resurfaced
Search
Year
Theme
4,874 recurring ideas

Retweets

The accounts and posts Visa amplifies. Not his words, but a record of who and what he has pointed his audience toward over the years. Self-retweets aside, here is everyone he has reshared.

Network

If Twitter is a public town square, Visa is the hyperactive, affable guy who talks to everyone: nearly half his posts (45%) are replies to other people. Below are the 100 accounts he replies to most.

Less a body of work than
a body of conversation

The shape of it

Every post and retweet, sorted not by what it’s about but by what it is.

How the mix shifted

His blend of replies, quotes, posts and retweets as a share of each year. Hover for any year.

Volume over time

Themes

What he posts about most. Toggle to see what actually lands.

His network

The accounts he engages with most. Toggle replies, quote-tweets, or retweets; tap a bar to open the account.

…and the same as a bubble field: the top accounts he replies to and quotes most, sized by how often. Hover or tap a bubble.

Hall of fame

All-time records across the archive.

The record-setting tweets

All of Observations & Humor

Every tweet in Observations & Humor. Search the text or a handle, narrow by date or to replies vs. originals, and sort however you like.

Search
Type
Year
16,834 tweets
reply312 likes2026-05-22
original2.1K likes2026-05-20
reply84 likes2026-05-19

placeholder copy and data · this same page serves any scope (a theme, an account)

Search
Year
Datesto

Your bookmarks