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Welcome to theVisakanv Megaweb

Since 2008, Visa has been thinking out loud on the internet, sharing his ideas with the world. The result: a quarter-million tweets, more than a thousand essays and blog posts, and hundreds of videos. The Visakanv Megaweb collects all of it, plus the books and media Visa keeps recommending, into one archive, organized so you can find your way through. Pick a place to start.

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An archive of Twitter postsby Visakan Veerasamy

Visakan Veerasamy (@visakanv) has been posting on X (formerly Twitter) since 2008, racking up more than a quarter-million posts across dozens of topics. The Visakanv Megaweb organizes them into a single archive you can browse without friction. Explore Visa’s most popular posts, favorite themes, and online network via curated lists. Looking for something specific, or want to browse the archive your way? It’s all here: filters for date, length, and more, plus search across text and handles.

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0738: playfulness as a discipline/practice

One Million Words · Art & Creativity · 2018 · 1.2k words

Playfulness is a serious discipline: a way to engage deeply with reality by staying curious, indifferent to outcomes, and willing to improvise. Visa distinguishes shallow noodling from deep play with stakes, and argues that humor and naughtiness are sources of real creativity.

0738 – playfulness as a discipline/practice

I’ve started asking people for prompts for these vomits. The first one I got that I liked was “write about playfulness as a discipline/practice”.

“The best ideas always come as jokes. Make your thinking as funny as possible. ” – David Ogilvy

“Forget being a comedian, just act like a reporter. What’s the question that hasn’t been asked? How come white kids don’t get shot? Have you ever watched television and seen some white kid got shot by accident? [laughter] You laughed right away. I just asked a question that no one had ever asked.” – Chris Rock

I have always, always believed in the importance of playfulness, silliness, humor. I think it’s very important. Arguably the most important thing! I take it as seriously as I can without being solemn. (John Cleese explains the distinction very well; solemnity is really a sort of ego-preservation).

One of the ways I compress and condense my worldview is the idea that “One should imagine Sisyphus LOL-ing“. Constant happiness is too much to expect from life, and not necessarily a good thing. It’s better to navigate by excitement and curiosity.

I’m working on a book of essays called “Naughty Boy” – it’s partially because that’s what I was called a lot as a kid, by my parents, by my teachers. It was a label that stuck, that weighed on my mind. Part of the reason I’m doing it is to reclaim the term, to take ownership of it, to acknowledge the validity of the claim, and also to really consider it thoroughly. I think being naughty can be a good thing. What IS naughtiness? It’s deviance from social expectations. You’re naughty for doing something you weren’t supposed to do, that you were told that you shouldn’t do. You’re naughty for thinking improper thoughts, for participating in improper acts.

Well, I want to make the case that “properness” is extremely overrated, and that pretty much all good and interesting things come from improper people doing improper things. When I think of “proper”, I think of upper-class aristocrats and royals and their manners – and where does that come from? Where does the king get his power? If you trace it back, it begins with conquest. And conquest is a rather naughty thing, don’t you think?

But I digress. What is play? Play to me is a state where you’re somewhat indifferent to the outcome of what you’re doing. It’s about enjoying the process of a thing, tapping and fiddling and messing around to see what happens. You haven’t decided what you want yet, not exactly. You just want to have fun. You just want to dick around. You take things apart, put them together, turn them upside down, inside out, string them together… all just to see what happens. To feel what happens.

How do you… practice playfulness as a discipline? There’s a bit of a balancing act here – I’m not a fan of overly scheduled playdates. Play should be wild and random, it should be free-range, exploratory.

I wrote a twitter thread once about games and meta-games. One way of thinking about playfulness is that it’s about being detached to the specific outcome of a particular game, and having more fun instead with the meta-games of what games you’re playing. Children are pretty good at switching around – I find myself thinking of Maurice Sendak’s quote about how children move back and forth seamlessly between fantasy and reality in a way that adults tend to forget how to do.

I do think it’s possible to get serious about being a good player – loosely, I imagine it’s like getting good at improvising as a musician. Getting good at improvising actually takes a lot of practice – and for some people this seems like a paradox that makes the whole thing sound silly and stupid. But it’s not. Being interesting when you’re being spontaneous requires having a range of options to choose from. Without having deliberately practiced and experimented, most people end up defaulting to a very small handful of fallback choices. Being flexible, avoiding functional fixedness, being able to reimagine things – all of this requires practice and experimentation. And it’s definitely one of my favorite things to do. I highly recommend it.

I tweeted somewhere else – a crazy thing is that a seemingly meaningless existence can become more meaningful just by thinking about it. That’s play! “Suppose…”, “imagine if…” “what if we…” “let’s try…”.

I’ve alluded to it but I think it’s worth being clear about the following distinction: there’s a sort of “shallow play” and “deep play”. Shallow play is superficial, cosmetic, dicking around. There’s a place for it. It can be fun. It’s the equivalent of “noodling around” on your guitar. I’ve definitely “noodled around” for a lot of vomits. It’s not a bad thing to do in of itself – it can have a sort of calming effect, and sometimes you do accidentally surprise yourself. The holy grail, though, is “deep play”. Deep play is when you play with real stakes, for keeps – you go hard. You really reconsider things. You really experiment. You do things that could have potentially “permanent” consequences.

Doing effectively and functionally as an adult requires also being able to be responsible. Sendak pointed out that children can move back and forth between reality and fantasy easily – and a part of a reason why that is the case is that kids don’t have bills to pay, and they don’t have a lot of responsibilities. The adult creative, the adult player is a lot more interesting in a way, because they have to be able to put things out of their mind but also be able to bring them back in. It can be intensely playful to take a bunch of drugs and make a huge mess… but then you’ll also have to clean it up afterwards.

Different people will bring different attitudes and assumptions to the table when you talk about playfulness. I think most people have a playfulness deficit. I hung out with musicians and theatre types when I was a teenager, and I think those folks can be a little “too playful” sometimes – where the problem isn’t actually that they’re playful, but that they use their playfulness sometimes as a sort of avoidance mechanism – to avoid responsibilities, to avoid difficult conversations and so on. I think at the heart of it all, playfulness should be something that guides you to engage more intensely and truly with the world.

I was actually “engage more intensely and truly with reality”, but sometimes some “escaping reality” is a good thing – because you’re only really escaping “mainstream reality”, which is simply the majority sect of magical thinking”. Still, it’s complex and layered. Sometimes taking a break from things can give you perspective that is useful to you when you return. And still, ultimately, I think there’s something unpleasant about an obsessively utilitarian model of the world. Sometimes escaping into an alternate reality – into play – is worth doing because it’s fun. And life is too short to be solemn. 

Originally published at https://visakanv.com/1000/0738-playfulness-as-a-discipline-practice/.

An archive of books and mediareferenced by Visakan Veerasamy

Visa is a prolific consumer of art and media. Over the years, he has referenced, reviewed, and recommended thousands of books, essays, articles, comics, and videos. The Visakanv Megaweb pulls his collection together in one place. Each item carries a link tracing it back to the mention.

About the Megaweb

The Visakanv Megaweb is a public archive of everything Visakan Veerasamy (@visakanv) has put on the internet: a quarter-million tweets, more than a thousand essays and blog posts, hundreds of videos, and the books and media he points to.

Visa has been thinking out loud online since 2008. The result is one of the largest bodies of personal writing on the web, but until now it has lived in scattered places: threads you unroll by hand, blogs on separate platforms, videos spread across years. The Megaweb pulls all of it into one place you can read and search.

What’s inside

The archive is in four parts. The Twitter Archive holds his posts, threads, replies, and quote-tweets. The Writing Archive collects his essays and blogs across three collections. The Video Archive gathers his vlogs, talks, and readings. The Library is everything he points to: the books, essays, articles, and videos he references in his own work.

How it’s organized

Each part is built to be browsed on its own terms. Read a theme from top to bottom, sort by what is most-loved or most-recent, narrow to replies or originals, or search the text directly. Every item keeps a link back to where it came from.

A note on the data

Counts, excerpts, and rankings are drawn from Visa’s public posts. Sourcing and update cadence are still being finalized.

Writer and internet builder, known online as @visakanv. Here are his books, where to support his work, and where to find him.

His books

FAN Friendly Ambitious NerdOn becoming a kinder, bolder, more curious version of yourself.Gumroad →Goodreads →
INT IntrospectAn inward hero’s journey to earn your own trust and self-respect; a remix of Nietzsche, Emerson, Watts, Campbell, and Jung.Gumroad →Goodreads →
An archive of Visakan Veerasamy’s online work.
Set in Fraunces, Geist, and Geist Mono.
Built by Mars Code Factory.
The Twitter ArchiveBest Tweets

Best Tweets

Many tweets from Visa are popular, but some are more popular than others. Browse the 1,000 most-liked top-level posts in Visa’s Twitter archive.

The Twitter ArchiveBest Threads

Best Threads

Visa is known for megathreading, and has written more than 26,000 threads since 2008. Explore his threads, including the longest and most popular. To page through every one, browse the full list →

The Twitter ArchiveLongest Threads

Longest Threads

Visa's biggest megathreads: his longest unbroken sequences, up to 200+ posts. See the best-loved →

204
tweets in the longest thread
7.3
years, longest-running thread
84
tweets, avg. length

The Twitter ArchiveAll Threads

All Threads

Every thread Visa has written: more than 26,000 since 2008. Search the text, narrow by year or length, and sort however you like. See the 1,000 best-loved →

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26,422 threads

The Twitter ArchiveAll Tweets

All Tweets

Here is every reply, quote-tweet, thread, and standalone post from Visa’s Twitter archive, more than a quarter-million in all. Retweets aren’t included here. Browse all his retweets →

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251,277 tweets

Themes

Visa’s tweets have common threads and narrative arcs if you look closely. Explore the themes he’s focused on across his years on Twitter, and the tweets in each.

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36 themes
The Twitter ArchiveRecurring Posts

Recurring Posts

Visa is known for quoting and resharing his own tweets, often to resurface an insight or reinforce an idea. See every time he’s quoted himself or brought an old post back into a conversation.

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Retweets

The accounts and posts Visa amplifies. Not his words, but a record of who and what he has pointed his audience toward over the years. Self-retweets aside, here is everyone he has reshared.

Network

If Twitter is a public town square, Visa is the hyperactive, affable guy who talks to everyone: nearly half his posts (45%) are replies to other people. Below are the 100 accounts he replies to most.

Less a body of work than
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The shape of it

Every post and retweet, sorted not by what it’s about but by what it is.

How the mix shifted

His blend of replies, quotes, posts and retweets as a share of each year. Hover for any year.

Volume over time

Themes

What he posts about most. Toggle to see what actually lands.

His network

The accounts he engages with most. Toggle replies, quote-tweets, or retweets; tap a bar to open the account.

…and the same as a bubble field: the top accounts he replies to and quotes most, sized by how often. Hover or tap a bubble.

Hall of fame

All-time records across the archive.

The record-setting tweets

All of Observations & Humor

Every tweet in Observations & Humor. Search the text or a handle, narrow by date or to replies vs. originals, and sort however you like.

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16,834 tweets
reply312 likes2026-05-22
original2.1K likes2026-05-20
reply84 likes2026-05-19

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