VVM The Visakanv Megaweb The Visakanv Megaweb

Welcome to theVisakanv Megaweb

Since 2008, Visa has been thinking out loud on the internet, sharing his ideas with the world. The result: a quarter-million tweets, more than a thousand essays and blog posts, and hundreds of videos. The Visakanv Megaweb collects all of it, plus the books and media Visa keeps recommending, into one archive, organized so you can find your way through. Pick a place to start.

262K
tweets
1,251
essays & blogs
459
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An archive of Twitter postsby Visakan Veerasamy

Visakan Veerasamy (@visakanv) has been posting on X (formerly Twitter) since 2008, racking up more than a quarter-million posts across dozens of topics. The Visakanv Megaweb organizes them into a single archive you can browse without friction. Explore Visa’s most popular posts, favorite themes, and online network via curated lists. Looking for something specific, or want to browse the archive your way? It’s all here: filters for date, length, and more, plus search across text and handles.

262K
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36
themes

0811 + 0812: scaffolding for my substack

One Million Words · Writing · 2022 · 2.1k words

Visa reflects on organizing his massive archive of word-vomits to scaffold his Substack, wrestling with the desire for vision and the internal critic, and discovering he can cluster pieces rather than sort them individually.

0811 + 0812 – scaffolding for my substack

I’m going to be going to SF next month, which I am excited about. I’m excited to meet friends, old and new, and to talk to people, and to get out of my current bubble, my current circumstances, to stretch my legs a little bit, to refresh.

In the meantime, I feel like I’m making progress in thinking about my substack, where I’ve written two essays so far and I’ve drafted almost a dozen. A thing I’ve been struggling with for a long time is figuring out the boundaries or “chapters” between different classes of my work. I at least now have the clarity that yes, I am a writer, author, this is my craft, this is my contribution. That’s great, that’s a big part of why I set out to do these wordvomits. I’ve written enough to feel confidence and conviction in my writing. Great. What’s next?

One thing I was going through recently was literally just processing and sorting out all my existing wordvomits. The breakthrough happened when I realized that, rather than try to sort them one at a time, I could instead look for “what goes with what”, and sort them into similar buckets. This is an insight I’ve had for some time re: twitter and youtube, and it feels like the main thing that kept me from doing it sooner with my wordvomits was a sense of feeling defeated from past attempts at trying. Which in turn is making me think about what other things I’ve been imperceptibly deterred from. But anyway – I think part of why I haven’t been writing wordvomits for a long time is that I didn’t want to come back here until I felt like I had something different to say, some new way of seeing things, some sense that I’m not just repeating myself in a tedious manner. Repetition is not a bad thing in of itself, I’ve definitely written about that, repeatedly. But I have bigger dreams for myself, I’d like this project to be something that I want to revisit, enjoy revisiting.

I don’t know if that’s hubristic of me. This is another theme that’s been coming up for me lately. I know when I step into the role of advising people with their creativity, I know that one of the best suggestions that really works is to lower one’s standards and just make and produce stuff. And yet… aren’t there too many of these wordvomits for me to even begin to make sense of? Well, here again I can step into the role and see, and say, well, make little bits of meaning as you go, make little piles, connections, and don’t be in a rush to do it all at once because that’ll be overwhelming, and you can’t possibly process all of that information all at once. But while a part of me knows this, another part of me remains stubborn, tyrannical, demanding – demanding perfection and demanding it now. And as I write this I do feel some relief knowing that while I have not dismantled this demanding part of me, I know how to deal with it. I wrote a whole book about how to deal with it. And I can feel my trust and faith rising within me, the believe that I will go through this, work through it, solve it. I can now begin to see the dozen or so “meta-essays” or “containers” that the rest of my wordvomits are clustered around.

I have written a tremendous amount, an amount that’s almost inconceivable to me, and I used to feel suffocated by it, overwhelmed by it. And so I put it out of mind, ignored it, but that wasn’t a very satisfactory solution, because then I felt shallow and empty (at least in this particular domain of writing). Maybe you could say that I was always processing it in the background of my mind, though that doesn’t feel very truthful to me. It might be more truthful to say that I needed some time away from it before I could return to it with fresh eyes, fresh perspective, and have it activate for me differently than it did before. That feels accurate. I’ve felt a smaller version of this re-reading my book after writing it. I needed to step away from it to see it clearly. And maybe right now I’m once again feeling that I need to step away from myself, from my circumstances, to see myself clearly.

Back to the substack. I have a bunch of ideas swirling around, a bunch of essays in mind. But what I’m really thirsting for, yearning for, is VISION. Glorious vision, scathing, bold, brilliant vision, something that will lead me from myself into myself, beyond myself, connect me with my ancestors and my descendants. I am to be a bridge between worlds, I know this. I am trying to build it. It takes a lot of felt knowledge to do this. I have to know the world I’m in, I have to know myself, and I have to know the world I am trying to co-create.

Talking in less grandiose terms, the bridge is built of bricks, the bricks are words, phrases, sentences, paragraphs that constitute ideas, perspectives, frames, ways of seeing, things to point at. I’m very happy that I came upon the idea of writing up drafts of essays, so that I don’t necessarily have to write an entire essay before I can ideate the next one. I can sketch out the outline of the bridge. I want to get more concrete, more precise. What precisely am I hoping to write? I know who I’m writing for, I think. Thoughtful people. I already have some of the audience, though I should be careful always to consider the audience that I want that isn’t here yet. But the bigger question is where do I want to take them? I want to represent possibility. I want to inspire the imagination. But I don’t want to write 20 essays about imagination. I don’t think that’s healthy, and I don’t think it’s great writing, either. (When reviewing my wordvomits, I found that about 6-7% of them were about writing, which I think is a nice % to strive for, and I felt good that I had subconsciously arrived at a pleasant balance. So maybe I can “just trust” that it’ll work out. But part of that is that I do at least some gnashing and grasping and fumbling along the way.)

So what do I think great writing is? A tough thing to describe, always “I know it when I see it”. I think it’s expansive and inclusive at the same time, it gets you to consider what you haven’t considered, rethink, review. See old things in new light. Re-enchant. I want to go from the very big to the very small, I think that’s something that hasn’t come through as much as I’d like. I’d like to talk about people, events AND ideas. I want to do everything and I want to do it artfully in surprisingly small amounts of space, with an economy of words. I ramble in these wordvomits so that I can be more cogent and concise when I need to be. I practice my rhythms in big open spaces so that I can be intricate. So… what am I writing about next? I don’t need to have a final, definitive answer but it’s good to practice. The first one was about voyagers, the big open sea of history. Second was a gallery, a sense of possibility, creativity. Maybe next something a bit more autobiographical and introductory? History… creativity… what would be different? I do still want to try and come up with essay summaries of FAN and Introspect… I’ll attempt those… maybe something about making good art that lasts?

What would Visa do? Lol. Okay he’d lead me through a bunch of questions. What are you trying to do here? Trying to find something really exciting, compelling, novel, fresh, surprising, yet relevant, timeless. I want there to be culture in it. Maybe we could talk about what it means to be fresh? Fresh aesthetics? Tattoos and paintings and music? Maybe tap into your frustrations? That’s not very “focus on what you want to see”, but you do know that frustration is power – definitely worth writing even if you don’t think you want to publish it. You want to publish something at least once a week, so tomorrow go with the painting? From the gallery to talking about a specific painting, that’s quite logical and sensible?

I feel like I haven’t got it yet. I know when I have it, it’s thrilling, exhilarating, it grabs me and pulls me. It’s like when you know there’s a good meme. Hm, maybe a history of memes? I have a few threads about being a meme historian. Something about internet history and meme history? The pain of linkrot? What I think when I think about Twitter? Shigeru in the cave? Something about still believing in the power of a blogpost to change the world? Reminiscing on Starbucks? I remember when Starbucks used to be high status in Singapore… the first one was at Liat Towers… you could smoke at them. The Starbucks card my friends bought for me. Reading Ray Bradbury.

Oh, and how about my fascination with ads and architecture? Larger than life goddesses? Something that parallels with the Monuments post. I’ve always been interested in ads. And they’re part of the memetic fabric of our time. We know it goes all the way back to history. I could talk about how I used to read magazines. Talk about pamphleteers. Yes… Ogilvy, Dichter, my perspective on marketing, selling, playing in a band… lots of texture and color here and a lot of humanity, Anthony Bourdain-esque. Oh, I should re-read Bourdain, I loved his style.

Maybe I could write something specific in praise of something else? Hamilton? Eh, I don’t love it that much. Terranigma? A love letter to the video games I’ve played and loved over the years? Mmm, that brings me back to the Starbucks days, that’s something I’d have written for the love of it. What else am I a fanboy of? Samurai X? Attack on Titan? How real these things felt? Hayley Williams? That feels like something I’d want to put in more effort into. Lets go through my notes. Mass Effect Andromeda, is another thing I could write extensively about. And use it as a vehicle for my views on other things. Yeah I really liked Yegge’s post on Borderlands.

Something about food, something about being Tamil. Something about being raised Hindu. I can talk a lot about that, that’s my experience. My experience growing up Singaporean. I don’t know if I want a whole post about that specifically, but that’s something I want to talk about, in an essay, and I don’t particularly want to do threads about it. Autobiographical. Grounded, it’s where I am. Walk my readers through my Singaporean life. That sounds like it might be a series. Yes, if I’m going to be speaking/writing authoritatively, it helps to show my credentials, to show what I’ve been through. I’ve been around. I could also weave in the challenge of writing about it. Yeah this feels like fertile ground. Autobiographical, that’s a recurring thread.

So I want to have like these several interwoven threads, such that a different one comes into focus each time, so it feels like 7 or so different classes of essay, and it circles and swirls around and then they come back. “Against Flanderization” is this sort of… you’re in my classroom and I’m teaching you about art. The Singapore / autobiographical stuff is something else. I’m nervous about writing it, but if I’m nervous, wouldn’t anybody else be too? Media studies, meme studies, society studies, peopling. I’m still oddly procrastinating on a review of King Warrior Magician Lover, why? Maybe because Introspect still feels fairly recent. But I’ll get to it eventually I’m sure.

So, do I have the thing I was looking for? Autobiography for the third post. The painting – Jeremy Mann – that goes in media studies. Revisit some of my favorite blogs and see how they handled the patterns. Alright. Time for bed.

Originally published at https://visakanv.com/1000/0811-0812-scaffolding-for-my-substack/.

An archive of books and mediareferenced by Visakan Veerasamy

Visa is a prolific consumer of art and media. Over the years, he has referenced, reviewed, and recommended thousands of books, essays, articles, comics, and videos. The Visakanv Megaweb pulls his collection together in one place. Each item carries a link tracing it back to the mention.

About the Megaweb

The Visakanv Megaweb is a public archive of everything Visakan Veerasamy (@visakanv) has put on the internet: a quarter-million tweets, more than a thousand essays and blog posts, hundreds of videos, and the books and media he points to.

Visa has been thinking out loud online since 2008. The result is one of the largest bodies of personal writing on the web, but until now it has lived in scattered places: threads you unroll by hand, blogs on separate platforms, videos spread across years. The Megaweb pulls all of it into one place you can read and search.

What’s inside

The archive is in four parts. The Twitter Archive holds his posts, threads, replies, and quote-tweets. The Writing Archive collects his essays and blogs across three collections. The Video Archive gathers his vlogs, talks, and readings. The Library is everything he points to: the books, essays, articles, and videos he references in his own work.

How it’s organized

Each part is built to be browsed on its own terms. Read a theme from top to bottom, sort by what is most-loved or most-recent, narrow to replies or originals, or search the text directly. Every item keeps a link back to where it came from.

A note on the data

Counts, excerpts, and rankings are drawn from Visa’s public posts. Sourcing and update cadence are still being finalized.

Writer and internet builder, known online as @visakanv. Here are his books, where to support his work, and where to find him.

His books

FAN Friendly Ambitious NerdOn becoming a kinder, bolder, more curious version of yourself.Gumroad →Goodreads →
INT IntrospectAn inward hero’s journey to earn your own trust and self-respect; a remix of Nietzsche, Emerson, Watts, Campbell, and Jung.Gumroad →Goodreads →
An archive of Visakan Veerasamy’s online work.
Set in Fraunces, Geist, and Geist Mono.
Built by Mars Code Factory.
The Twitter ArchiveBest Tweets

Best Tweets

Many tweets from Visa are popular, but some are more popular than others. Browse the 1,000 most-liked top-level posts in Visa’s Twitter archive.

The Twitter ArchiveBest Threads

Best Threads

Visa is known for megathreading, and has written more than 26,000 threads since 2008. Explore his threads, including the longest and most popular. To page through every one, browse the full list →

The Twitter ArchiveLongest Threads

Longest Threads

Visa's biggest megathreads: his longest unbroken sequences, up to 200+ posts. See the best-loved →

204
tweets in the longest thread
7.3
years, longest-running thread
84
tweets, avg. length

The Twitter ArchiveAll Threads

All Threads

Every thread Visa has written: more than 26,000 since 2008. Search the text, narrow by year or length, and sort however you like. See the 1,000 best-loved →

26,381
threads
2021
peak year
102,048
tweets in threads
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Length
Year
Theme
26,422 threads

The Twitter ArchiveAll Tweets

All Tweets

Here is every reply, quote-tweet, thread, and standalone post from Visa’s Twitter archive, more than a quarter-million in all. Retweets aren’t included here. Browse all his retweets →

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Type
Theme
Year
251,277 tweets

Themes

Visa’s tweets have common threads and narrative arcs if you look closely. Explore the themes he’s focused on across his years on Twitter, and the tweets in each.

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36 themes
The Twitter ArchiveRecurring Posts

Recurring Posts

Visa is known for quoting and resharing his own tweets, often to resurface an insight or reinforce an idea. See every time he’s quoted himself or brought an old post back into a conversation.

34,006
self-quotes
13,033
distinct ideas
339
most resurfaced
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Year
Theme
4,874 recurring ideas

Retweets

The accounts and posts Visa amplifies. Not his words, but a record of who and what he has pointed his audience toward over the years. Self-retweets aside, here is everyone he has reshared.

Network

If Twitter is a public town square, Visa is the hyperactive, affable guy who talks to everyone: nearly half his posts (45%) are replies to other people. Below are the 100 accounts he replies to most.

Less a body of work than
a body of conversation

The shape of it

Every post and retweet, sorted not by what it’s about but by what it is.

How the mix shifted

His blend of replies, quotes, posts and retweets as a share of each year. Hover for any year.

Volume over time

Themes

What he posts about most. Toggle to see what actually lands.

His network

The accounts he engages with most. Toggle replies, quote-tweets, or retweets; tap a bar to open the account.

…and the same as a bubble field: the top accounts he replies to and quotes most, sized by how often. Hover or tap a bubble.

Hall of fame

All-time records across the archive.

The record-setting tweets

All of Observations & Humor

Every tweet in Observations & Humor. Search the text or a handle, narrow by date or to replies vs. originals, and sort however you like.

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Year
16,834 tweets
reply312 likes2026-05-22
original2.1K likes2026-05-20
reply84 likes2026-05-19

placeholder copy and data · this same page serves any scope (a theme, an account)

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