VVM The Visakanv Megaweb The Visakanv Megaweb

Welcome to theVisakanv Megaweb

Since 2008, Visa has been thinking out loud on the internet, sharing his ideas with the world. The result: a quarter-million tweets, more than a thousand essays and blog posts, and hundreds of videos. The Visakanv Megaweb collects all of it, plus the books and media Visa keeps recommending, into one archive, organized so you can find your way through. Pick a place to start.

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essays & blogs
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An archive of Twitter postsby Visakan Veerasamy

Visakan Veerasamy (@visakanv) has been posting on X (formerly Twitter) since 2008, racking up more than a quarter-million posts across dozens of topics. The Visakanv Megaweb organizes them into a single archive you can browse without friction. Explore Visa’s most popular posts, favorite themes, and online network via curated lists. Looking for something specific, or want to browse the archive your way? It’s all here: filters for date, length, and more, plus search across text and handles.

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36
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0846: essays are for gestalt

One Million Words · Writing · 2023 · 1.1k words

Visa rethinks his writing domains, essays should paint the big picture, not get stuck on specifics. He wants to let go of perfection, write more precisely, and convey the gestalt rather than repeat himself.

0846 – essays are for gestalt

met another old/longtime friend today, we discussed singapore, southeast asia, narratives. gives me some encouragement and confidence to think about some of my next steps. Memeing Garuda into a wider-spreading idea. Point out that Singapore’s CMIO framework cannot be an enduring concept 50 years from now. What else is there? Thinking about southeast asian folklore… cultural showases… it’s not quite right when you go to somewhere and you pay them and they put a performance on for you… feels sterile and fake.

Still thinking about what the job of each of my domains are going to be, what my substack essays and blogposts are going to be, what my twitter is, and even how these 1000wordvomits are going to end. I don’t really know, there aren’t fixed answers. I gotta think about the questions I want answered. Missing middles… I was reminded that part of what I wanted before I started cultivating an international audience was to… inspire a better standard of discourse in my own country. Challenge more people to write interesting commentary. I don’t quite feel like the time is ripe for me to do that yet, but I’m writing about it right now just to… stir the pot on the backburner, and keep it in mind.

what do I want to do right now now? I still want to write all my essays, starting with the ones weighing most on my mind, so I can get them out. One of the big ones will be something like, chaos surfing, how to be extremely online and not lose your mind. What if I just wrote it now? I feel like I ought to intertwine some of my memoirs with it, be somewhat autobiographical – I talk about the helm of the arse gods, but there’s more… something about growing up at the crossroads… there’s some hesitation here. But that’s a good sign that there’s something there. How DO you be so online and not lose your mind? Not lose all sense of proportion? I want to point at Gopnik’s essay, which is my favorite of all time. I could just do an essay about that essay. I could do an essay about speedrunning. About all the channels at once, what I used to watch on TV. Anime, Bollywood, Hollywood, Singaporean TV, each of these things embodies a different culture, different set of values… what is syncretism? The ability to consider many points of view… again even in Encanto, Mirabel was blaming her grandmother for everything but she never quite considered her point of view, saw the pain that informed her perspective.

Everyone is struggling in some way, nobody is born with all the answers, with everything figured out. Everyone has imperfect information, imperfect knowledge, and a particular experience that they overgeneralize from because it’s so salient to them. Morgan Housel talks about this a bunch in Psychology of Money – how people born in different years experienced different social realities, different economies, different economic realities, and so they learn different lessons. And I’m thinking about a video about video games, and how new gamers can learn the wrong lessons from their limited experience, because two things might happen simultaneously and you might confuse the cause-and-effect. And reality is full of extremely complex events with many different things happening at the same time, and it can be hard to suss out what’s important and what’s not, what made the difference, and so on. We seem to have narrativizing brains that come up with compelling explanations. People who lose elections are often kind of surprised when it happens, because from their point of view they were surrounded by supporters who were encouraging them… and everything is like this. We’re wrong about all sorts of things all the time and we don’t realize it. And even after we think we learn this lesson, we find it waiting for us again around every corner.

So what are we to do? Taleb gets into this stuff, but really it’s not something you can read once and be done with. It has to be an ongoing practice, with ongoing reminders. We have to actively, conscientiously be working against misunderstanding, against ignorance, against the pretense of knowledge. And our emotions come into the picture. We avoid things that make us uncomfortable, conclusions that we don’t like. Thinking about a gary vee video i watched recently– “you want to change the world with one post a week?” which isn’t to say that that’s not possible, but in this media landscape… when you’re starting out, you’re probably better off with more shots on goal, even if they’re cheap, flimsy, imperfect… you want to optimize for resonance, for connection, and mindshare is scarce. Attention is precious. We have to earn attention, carefully, effortfully, over time. Sometimes it takes years and years before something pays off. And why do we expect otherwise? Because of false assumptions. Fairy tales. Fairy tales ought to come with warning labels for the expectations they encourage.

Lately I feel like my writing has been a little slovenly, imprecise, convoluted. I’d like to be more precise in my claims. That takes work. I have to come up with the wrong ideas before I can articulate what the right ideas are. I will likely frame them wrong before I figure out the right way to frame them. I have been paralyzed because of my insistence that I get everything beautifully, perfectly right the first time. It’s been a painful constriction. I’d like to let go of that, to relax and allow my words to flow. And maybe that’s what these word vomits can be about again. I used to worry about repeating myself too much in these wordvomits, but now it annoys me a little bit more that I repeat myself in my twitter threads- talking about strategy and so on. I’d like to piece together something powerful that I can just point people to instead of writing the same things over and over. Luck is a part of it but I don’t really want an entire essay on luck. I do have a blogpost about that. The point of an essay is to paint the wider picture. The blogposts can go into specifics. The essays are for broader pictures that convey the gestalt. Essays are for gestalt.

(PS: Even in this wordvomit – I can link out to a bunch of stuff from it. Maybe part of what I want to do with old wordvomits is to look for things to link to. And the other thing on my recent todo list is to catalog the conversations that I have people in my “wanton fuckery” thread. Much to do.)

One thought on “0846 – essays are for gestalt

Originally published at https://visakanv.com/1000/0846-essays-are-for-gestalt/.

An archive of books and mediareferenced by Visakan Veerasamy

Visa is a prolific consumer of art and media. Over the years, he has referenced, reviewed, and recommended thousands of books, essays, articles, comics, and videos. The Visakanv Megaweb pulls his collection together in one place. Each item carries a link tracing it back to the mention.

About the Megaweb

The Visakanv Megaweb is a public archive of everything Visakan Veerasamy (@visakanv) has put on the internet: a quarter-million tweets, more than a thousand essays and blog posts, hundreds of videos, and the books and media he points to.

Visa has been thinking out loud online since 2008. The result is one of the largest bodies of personal writing on the web, but until now it has lived in scattered places: threads you unroll by hand, blogs on separate platforms, videos spread across years. The Megaweb pulls all of it into one place you can read and search.

What’s inside

The archive is in four parts. The Twitter Archive holds his posts, threads, replies, and quote-tweets. The Writing Archive collects his essays and blogs across three collections. The Video Archive gathers his vlogs, talks, and readings. The Library is everything he points to: the books, essays, articles, and videos he references in his own work.

How it’s organized

Each part is built to be browsed on its own terms. Read a theme from top to bottom, sort by what is most-loved or most-recent, narrow to replies or originals, or search the text directly. Every item keeps a link back to where it came from.

A note on the data

Counts, excerpts, and rankings are drawn from Visa’s public posts. Sourcing and update cadence are still being finalized.

Writer and internet builder, known online as @visakanv. Here are his books, where to support his work, and where to find him.

His books

FAN Friendly Ambitious NerdOn becoming a kinder, bolder, more curious version of yourself.Gumroad →Goodreads →
INT IntrospectAn inward hero’s journey to earn your own trust and self-respect; a remix of Nietzsche, Emerson, Watts, Campbell, and Jung.Gumroad →Goodreads →
An archive of Visakan Veerasamy’s online work.
Set in Fraunces, Geist, and Geist Mono.
Built by Mars Code Factory.
The Twitter ArchiveBest Tweets

Best Tweets

Many tweets from Visa are popular, but some are more popular than others. Browse the 1,000 most-liked top-level posts in Visa’s Twitter archive.

The Twitter ArchiveBest Threads

Best Threads

Visa is known for megathreading, and has written more than 26,000 threads since 2008. Explore his threads, including the longest and most popular. To page through every one, browse the full list →

The Twitter ArchiveLongest Threads

Longest Threads

Visa's biggest megathreads: his longest unbroken sequences, up to 200+ posts. See the best-loved →

204
tweets in the longest thread
7.3
years, longest-running thread
84
tweets, avg. length

The Twitter ArchiveAll Threads

All Threads

Every thread Visa has written: more than 26,000 since 2008. Search the text, narrow by year or length, and sort however you like. See the 1,000 best-loved →

26,381
threads
2021
peak year
102,048
tweets in threads
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Length
Year
Theme
26,422 threads

The Twitter ArchiveAll Tweets

All Tweets

Here is every reply, quote-tweet, thread, and standalone post from Visa’s Twitter archive, more than a quarter-million in all. Retweets aren’t included here. Browse all his retweets →

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Type
Theme
Year
251,277 tweets

Themes

Visa’s tweets have common threads and narrative arcs if you look closely. Explore the themes he’s focused on across his years on Twitter, and the tweets in each.

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36 themes
The Twitter ArchiveRecurring Posts

Recurring Posts

Visa is known for quoting and resharing his own tweets, often to resurface an insight or reinforce an idea. See every time he’s quoted himself or brought an old post back into a conversation.

34,006
self-quotes
13,033
distinct ideas
339
most resurfaced
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Year
Theme
4,874 recurring ideas

Retweets

The accounts and posts Visa amplifies. Not his words, but a record of who and what he has pointed his audience toward over the years. Self-retweets aside, here is everyone he has reshared.

Network

If Twitter is a public town square, Visa is the hyperactive, affable guy who talks to everyone: nearly half his posts (45%) are replies to other people. Below are the 100 accounts he replies to most.

Less a body of work than
a body of conversation

The shape of it

Every post and retweet, sorted not by what it’s about but by what it is.

How the mix shifted

His blend of replies, quotes, posts and retweets as a share of each year. Hover for any year.

Volume over time

Themes

What he posts about most. Toggle to see what actually lands.

His network

The accounts he engages with most. Toggle replies, quote-tweets, or retweets; tap a bar to open the account.

…and the same as a bubble field: the top accounts he replies to and quotes most, sized by how often. Hover or tap a bubble.

Hall of fame

All-time records across the archive.

The record-setting tweets

All of Observations & Humor

Every tweet in Observations & Humor. Search the text or a handle, narrow by date or to replies vs. originals, and sort however you like.

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Type
Year
16,834 tweets
reply312 likes2026-05-22
original2.1K likes2026-05-20
reply84 likes2026-05-19

placeholder copy and data · this same page serves any scope (a theme, an account)

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