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Since 2008, Visa has been thinking out loud on the internet, sharing his ideas with the world. The result: a quarter-million tweets, more than a thousand essays and blog posts, and hundreds of videos. The Visakanv Megaweb collects all of it, plus the books and media Visa keeps recommending, into one archive, organized so you can find your way through. Pick a place to start.

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An archive of Twitter postsby Visakan Veerasamy

Visakan Veerasamy (@visakanv) has been posting on X (formerly Twitter) since 2008, racking up more than a quarter-million posts across dozens of topics. The Visakanv Megaweb organizes them into a single archive you can browse without friction. Explore Visa’s most popular posts, favorite themes, and online network via curated lists. Looking for something specific, or want to browse the archive your way? It’s all here: filters for date, length, and more, plus search across text and handles.

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thinking is easy, information architecture is hard

Blog · Notes & Knowledge Systems · 2021 · 975 words

The real work is not having ideas but structuring them. Visa explores why building memorable, people-shaped systems is harder than thinking, and why he's been grinding on his book for years.

thinking is easy, information architecture is hard

This has been a recurring thing for me. A lot of what I’m trying to do with my life is architect information in a way that is useful, pleasurable, lasting.

There are lots of ways to rephrase this, reframe this. Coming up with the idea for a solution is relatively easy, implementing it is hard. When writing a novel, coming up with ideas for characters, settings, plot etc is relatively easy, but actually structuring the novel into paragraphs and chapters is hard. Until you actually sit down to write a novel, it’s not obvious how difficult it is to write even a mediocre novel.

I’ve decided that this tweet deserves a blogpost of its own, because it’s an idea I want to continue exploring and developing.

Sometimes when I say “I’ve been thinking about this for a long time”, the reality of it is closer to “I’ve held on to this idea-lattice for a long time, and the ways in which it has degraded in my mind have revealed things to me.”

I think one of the core challenges for me when it comes to information architecture is to create things that are memorable. To make something memorable it has to be remarkable in some way. it has to trigger some thought, some memory, some emotion. Otherwise it fades.

A person trying to solve an interesting info architecture challenge will likely have visible “imperfections” in their thinking

Unsolicited criticism of their thinking without consideration of their intent is a disservice that can actually throw them off.

A person trying to do productive, creative thinking in public ideaspace then will, past a certain point, have to architect filters for processing unproductive feedback. I’ve seen good people give up on playing- which is everyone’s loss- because it’s just not fun to have to do this.

Alternatively you have to make sure your thinking is perfect before you can play, which is not fun either.

Or you have to make alts, which is actually an extremely underrated and undervalued solution to this general problem. It’s a little bit more effort, but it goes a long way.

Figuring out what to do is relatively easy, behaviour architecture is hard.

I’ve been working on my second book, INTROSPECT, and it’s been a slog. I’ve been agonising over it for a long time. When I talk about it with people, they often give me well-intentioned suggestions along the lines of, “why don’t you get an editor?” And I have a reason why I haven’t. I think a good editor can help you improve your information architecture if you have a clear sense of what the book is supposed to be about. And they can maybe even help you clarify that, if they’re really good. But I think ultimately there’s a final gap between the author and the editor. The author knows something about the book that the editor doesn’t, that the editor cannot.

A fantastic editor might be able to use their superior experience, insight and intuition to help guide the author towards what that might be, but you can’t really know in advance if the editor you’re going to work with is so excellent. Statistically, it’s pretty unlikely, unless maybe you get a personal referral from someone you respect and admire, who tells you that that editor has done such a magical act of transmutation in the past.

Rearchitecting is hard, even when you’re trying to reorganize around a simpler, better principle. We resist change even when the end-result of change is likely relief – because the process of change is painful.

(27mar2022) I’ve been ruminating on a hypothetical holy grail of information architecture for years and years now and every 3-6 months or so I have some new epiphany that feels like it’ll change everything, and it kinda does but not as much as I originally hoped

I’ve talked about a few critical things before – bricks/spreadsheets as the densest way to display information – the importance of desire paths – “magic phrases” – passwords, really, but that word has come to become associated with a very specific login, so need a diff word

For some period of time I was painfully fixated on trying to represent my entire twitter corpus, I even unintentionally sent a couple of earnest devs down that hellhole, none have returned lol sorry friends I realize now that’s a mistakenly needy frame. You can’t eat the sun

Writing a book was tremendously clarifying for me re: thinking about information architecture in general we are trying to build mind cities we cannot represent everything perfectly everywhere and we shouldn’t force it rather the thing is to be artful in graceful degradation

also a big part of trying to make this work is that you have to solve not just for the nail but also for the hand we have to account for human limitations of working memory, perception, etc digital tools are generally bad at this. Twitter 280char limit is a remarkable exception. (hammer: tool should fit the user)

phrases like “user centric” and “human centric” etc now sound like meaningless buzzwords, which is annoying, because when I think about the 5-10% of my corpus that’s most effective, most powerful, most used, valuable, etc, it’s stuff that interfaces with people in a natural way. (I like to say people-shaped.)

also while i’m currently sifting thru notes I feel like an annoying thing about digital notes is that they don’t really have an intuitive “weight”, like a google doc or a blogpost with 2 strings of text outwardly looks the same as one with 100 pages. IRL this is much clearer

To be continued.

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Originally published at https://www.visakanv.com/blog/information-architecture/.

An archive of books and mediareferenced by Visakan Veerasamy

Visa is a prolific consumer of art and media. Over the years, he has referenced, reviewed, and recommended thousands of books, essays, articles, comics, and videos. The Visakanv Megaweb pulls his collection together in one place. Each item carries a link tracing it back to the mention.

About the Megaweb

The Visakanv Megaweb is a public archive of everything Visakan Veerasamy (@visakanv) has put on the internet: a quarter-million tweets, more than a thousand essays and blog posts, hundreds of videos, and the books and media he points to.

Visa has been thinking out loud online since 2008. The result is one of the largest bodies of personal writing on the web, but until now it has lived in scattered places: threads you unroll by hand, blogs on separate platforms, videos spread across years. The Megaweb pulls all of it into one place you can read and search.

What’s inside

The archive is in four parts. The Twitter Archive holds his posts, threads, replies, and quote-tweets. The Writing Archive collects his essays and blogs across three collections. The Video Archive gathers his vlogs, talks, and readings. The Library is everything he points to: the books, essays, articles, and videos he references in his own work.

How it’s organized

Each part is built to be browsed on its own terms. Read a theme from top to bottom, sort by what is most-loved or most-recent, narrow to replies or originals, or search the text directly. Every item keeps a link back to where it came from.

A note on the data

Counts, excerpts, and rankings are drawn from Visa’s public posts. Sourcing and update cadence are still being finalized.

Writer and internet builder, known online as @visakanv. Here are his books, where to support his work, and where to find him.

His books

FAN Friendly Ambitious NerdOn becoming a kinder, bolder, more curious version of yourself.Gumroad →Goodreads →
INT IntrospectAn inward hero’s journey to earn your own trust and self-respect; a remix of Nietzsche, Emerson, Watts, Campbell, and Jung.Gumroad →Goodreads →
An archive of Visakan Veerasamy’s online work.
Set in Fraunces, Geist, and Geist Mono.
Built by Mars Code Factory.
The Twitter ArchiveBest Tweets

Best Tweets

Many tweets from Visa are popular, but some are more popular than others. Browse the 1,000 most-liked top-level posts in Visa’s Twitter archive.

The Twitter ArchiveBest Threads

Best Threads

Visa is known for megathreading, and has written more than 26,000 threads since 2008. Explore his threads, including the longest and most popular. To page through every one, browse the full list →

The Twitter ArchiveLongest Threads

Longest Threads

Visa's biggest megathreads: his longest unbroken sequences, up to 200+ posts. See the best-loved →

204
tweets in the longest thread
7.3
years, longest-running thread
84
tweets, avg. length

The Twitter ArchiveAll Threads

All Threads

Every thread Visa has written: more than 26,000 since 2008. Search the text, narrow by year or length, and sort however you like. See the 1,000 best-loved →

26,381
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2021
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26,422 threads

The Twitter ArchiveAll Tweets

All Tweets

Here is every reply, quote-tweet, thread, and standalone post from Visa’s Twitter archive, more than a quarter-million in all. Retweets aren’t included here. Browse all his retweets →

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251,277 tweets

Themes

Visa’s tweets have common threads and narrative arcs if you look closely. Explore the themes he’s focused on across his years on Twitter, and the tweets in each.

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36 themes
The Twitter ArchiveRecurring Posts

Recurring Posts

Visa is known for quoting and resharing his own tweets, often to resurface an insight or reinforce an idea. See every time he’s quoted himself or brought an old post back into a conversation.

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4,874 recurring ideas

Retweets

The accounts and posts Visa amplifies. Not his words, but a record of who and what he has pointed his audience toward over the years. Self-retweets aside, here is everyone he has reshared.

Network

If Twitter is a public town square, Visa is the hyperactive, affable guy who talks to everyone: nearly half his posts (45%) are replies to other people. Below are the 100 accounts he replies to most.

Less a body of work than
a body of conversation

The shape of it

Every post and retweet, sorted not by what it’s about but by what it is.

How the mix shifted

His blend of replies, quotes, posts and retweets as a share of each year. Hover for any year.

Volume over time

Themes

What he posts about most. Toggle to see what actually lands.

His network

The accounts he engages with most. Toggle replies, quote-tweets, or retweets; tap a bar to open the account.

…and the same as a bubble field: the top accounts he replies to and quotes most, sized by how often. Hover or tap a bubble.

Hall of fame

All-time records across the archive.

The record-setting tweets

All of Observations & Humor

Every tweet in Observations & Humor. Search the text or a handle, narrow by date or to replies vs. originals, and sort however you like.

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16,834 tweets
reply312 likes2026-05-22
original2.1K likes2026-05-20
reply84 likes2026-05-19

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